Steve Stebbing

Breaking down all things pop culture

It seems like the absolute perfect week to cover this, with Avengers: Infinity War cusping on one billion dollars (insert Dr. Evil clip here), to praise the beginning of this whole Marvel Cinematic Universe, Iron Man, as well as the bookend on the Tony Stark trilogy. Both films celebrate anniversaries as Iron Man 3 came out five years ago this week and both films did big things for the MCU as well as the cast involved. Tony Stark/Iron Man is the lynchpin of this entire cavalcade of films we have been gifted and, as comic fans, we now live in a world where something like this exists and it’s unlike nothing I a young Steve could have dreamed of.

To think that we almost had a Tom Cruise led Iron Man movie is almost incomprehensible ten years after the fact because I don’t think this whole universe would have been sustainable with him at the head. I mean, we kind of saw this with the collapse of Universal’s Dark Universe but Robert Downey Jr. was tailor fit for the role of Iron Man and, most importantly, Tony Stark himself. It was his redemption in the eyes of the world and it also lent a bit of realism to his portrayal of Stark. Relevant to Downey, Stark returns from his ordeal in the middle east that almost cost him his life and has to battle the public opinion of his former self in order to make his present and future self a person to be looked at as a hero and one that would save the world again and again. This is the metaphor of his father’s business partner and acting CEO of Stark Industries Obadiah Stane trying to kill him.

Iron Man is a landmark film which should be held in the highest regard. It pushed director Jon Favreau to a new level of blockbuster filmmaking and started the Avengers Initiative, something that new comic fans, ten and under, have known their entire life. That is absolutely impressive and something I think we’ve largely forgotten about until this year. The care that Downey, Favreau and Marvel Studios head honcho Kevin Feige have for their characters, this universe and everything contained in it are felt in every frame of film. This even extended to their friends, which is the big reason one of my favorite writers turned director Shane Black decided to play in this sandbox too.

In the third installment, Tony is dealing with severe PTSD from his descent through a wormhole holding a nuke in The Avengers. This provides the perfect opportunity for The Mandarin to destroy everything Tony holds close to him, like his Malibu home, all of his Iron Man suits, his control over his business and his relationship with the love of his life, Pepper Potts. Okay, maybe a couple of those can be put directly on Tony’s shoulders but you get the point, there’s a lot of turmoil. Iron Man 3 is a film that rubbed some people the wrong way, especially those faithful to the character of The Mandarin, but I really enjoyed it. Maybe it was that twist or that Shane Black’s brilliant buddy comedy writing created a bond between Tony and a young boy out of nowhere that was incredibly endearing. I always find myself standing up for this film and most likely always will.

As my wife and I embark on another journey through all eighteen movies leading up to the all-out Infinity War again, I implore you to do the same and, really, keep those rose colored glasses on for them because, at the end of the day, they are, if nothing, absolutely fun with a man that relishes every moment he’s on screen. In Tony’s high priced suit or Iron Man’s higher priced battle armor, this is pure escapism and it will always have a home in my heart. I love the MCU.

Categories: #TBT•

Avengers: Infinity War – If you didn’t think I’d kick off this week with this gargantuan epic of a blockbuster then you might be a bit nutty because this movie satisfied me in every way as a movie fan and a comic book nerd. Now, before everyone gets upset, I will preface this by informing you that I won’t give any spoilers in this short little piece but just know that to fully enjoy this film you need to have the context of the ten years of Marvel Cinematic Universe films that came before it. Infinity War holds all of their character’s lives in its hands, divvies out the consequences and realizes all the repercussions that are coming. This film will exhilarate you but will also devastate you and, if you’re like me, you won’t be able to openly talk about it for weeks because of the ultra lockdown on spoilers. You know, because Thanos demands it and this is his movie after all.

The Endless – Directing duo Justin Benson and Aaron Moorhead haven’t hit the big time yet but, even so, they are in the grouping of my favorite filmmakers right now. Their film Spring was a decidedly twisted story built on a romance that was unlike anything I’ve ever seen before and now they have done it again. This time taking on the lead roles themselves, Moorhead and Benson star as two former cult members after a mysterious video coaxes them back to the compound for another look. The whole point of them returning is to reaffirm that they made the right choice in leaving but events start to begin that not only makes them question their opposing stance but also their own reality in general. The Endless is operating at a level of intelligence that seems to be missing in a lot of mainstream mystery films and keeps you on the edge of your seat guessing throughout. If you loved Shane Carruth’s Primer like I did, you owe it to yourself to see this one immediately and then tell your friends.

The Rider– I’m going to do something odd here and recommend a movie I haven’t actually seen but this film, from everything I’ve read and all that my colleagues have told me, deserves the spotlight, especially on a weekend dominated by big budget Marvel. Writer and director Chloe Zhao makes what looks to be her breakout film, a story about a rodeo champion who must redefine himself after a horrific accident leaves him unable to do what he loves. The movie puts Brady Jandreau, the man who inspired this film, in the lead role playing opposite his own family, a gamble that just this year worked out horribly for director Clint Eastwood in The 15:17 To Paris. However, in Zhao’s film this move is being praised as Jandreau wears his emotion and experience out on his sleeve is this driven human story. If we want to see these types films still get made and distributed we need to ensure that there is still a visible audience for it, so, in closing, support indie film and keep the celluloid dreams alive!

This week Steve chats with Drx about Avengers: Infinity War and it’s possible implications to the Marvel Cinematic Universe as well as the celebrated indie film from writer-director Chloe Zhao. In limited release, Steve gives his thoughts on the new Grace Jones documentary Bloodlight and Bami and the new brain-melter The Endless. On Blu-Ray, Steve gives the rundown on Paddington 2, Hostiles, Film Stars Don’t Die In Liverpool, Sweet Virginia, the 40th anniversary edition of Cheech and Chong’s Up In Smoke and the first season of 13 Reasons Why.

https://omny.fm/shows/the-shift-with-drex/at-the-movies-with-steve-stebbing-apr-27

Director James Mangold is now very much a household name after making the Johnny Cash bio-pic Walk The Line, a killer western adaptation with 3:10To Yuma and two Wolverine films which include the absolutely incredible Logan. Back in 2003, he was a director with a couple of great films under his belt like Cop Land and Girl Interrupted but he was about to give us a “keep you guessing” mystery thriller that still holds up to this day, the ensemble cast film Identity from the writer and director of Jack Frost. No, not that feel good family film with Michael Keaton, I’m talking about a murderous snowman who killed people with icicles. Yes, I’ve seen it.

Identity features a wide mosaic of characters trapped at a motel in the middle of nowhere. We have John Cusack as Ed, a limo driver not unlike his character with the same job in the disastrous disaster flick 2012. As the head of our cast, he finds himself in the company of a correctional officer (Ray Liotta) and his prisoner (Jake Busey), a prostitute (Amanda Peet), a couple of newlyweds(one of them being Clea Duvall), an older couple (including John C. McGinley) and their young son and Ed’s client, an ’80s Hollywood TV actress (Rebecca DeMornay), as well as the motel desk clerk (John Hawkes) who all spend a paranoid night together as one of them start knocking the rest off. Pretty stacked, right? This is also before Hawkes hit his mainstream stride in Deadwood.

The film has a creepy ethereal atmosphere that starts to ramp up more and more towards our third act twist and we have a running B plot with a cop played by Alfred Molina interrogating an incarcerated Pruitt Taylor Vince (from Mangold’s debut Heavy) that keeps us a bit off the true path. I love this film when I finally got to see it on DVD and I still love the plotting and reveals as they happen. The movie is like the love child of Alfred Hitchcock and Agatha Christie through a David Lynch filter, making the fact that long time Lynch collaborator Angelo Badalamenti almost scored this one that much more intriguing.

If you look this one up on any review sites like Metacritic or Rotten Tomatoes and you’ll see that critics have pretty much put it in the middle of the road which, to me, makes it incredibly underrated. What I see is a genre film headed by a burgeoning master leading a group of eclectic character actors under the eye of cinematographer Phedon Papamichael, who would collaborate with Mangold on two of his most beautiful films. This is what I consider must see filmmaking and I am happy to celebrate it on its fifteenth birthday. Go give it a spin!

Categories: #TBT•

I Feel Pretty – Amy Schumer is definitely a polarizing comedian. I like her, my wife likes her but there are a lot of people who don’t. Admittedly, I was a few seasons late to the Inside Amy Schumer bandwagon and generally find myself laughing quite a bit during her sketches and mostly the one on one interview scenes that close out the show. Her self-deprecating humor works in this context, something I like about her. Then she made Trainwreck with Judd Apatow, a film I will watch if I notice it on the movie channel because I think it is absolutely hilarious even if the runtime is a little drawn out. She then moved on to her second feature, Snatched, a film that was only saved by the returning Goldie Hawn, an actress who hadn’t been on the big screen in fifteen years. Then there’s this new horrendous experience, one that I couldn’t escape fast enough. Schumer plays a woman with massive insecurities who, after a nasty bump on her head in spin class, gains confident in herself, her body and her beauty. The comedy comes from the fact that no one else can see this change in her making every interaction painfully awkward and I couldn’t stand it. This film feels like one of the misfired sketches that struggles to find and ending but still tries to haphazardly jam a message in at the same time. Honestly, Amy Schumer is going to need something incredible to erase this one from my memory.

 

James Cameron is talking shit…. again – Let’s put things into a timely context. Do you remember when James Cameron proclaimed himself the “King Of The World” after cleaning up at the Oscars in 1998? Well, it’s been twenty years since and he has only made one feature film since, albeit it was Avatar which made close to three billion dollars but my point is that he is hardly the King any longer. This doesn’t stop him from making terrible comments about other people’s work, meanwhile his constantly pushed back Avatar sequels become less and less relevant. A while back Cameron shot his mouth off saying that Wonder Woman wasn’t as progressive for women as it was being celebrated to be and, no matter how I or any man feels about the film, this is definitely an untrue statement. Patty Jenkins SHOULD be celebrated as the film did break down many barriers. Now Cameron is taking aim at Marvel and the Avengers by saying that we’ve had enough of these films, which seems to be convenient coming from a guy that wants to saturate us in his world of Pandora, so much so that he even had a theme park built. Is this a real gripe with superhero movies in general or is he just worried that we won’t give a crap about his “Pocahontas meets Smurfs” films when or if they finally get made? Seems like a guy fighting for his last piece of relevancy as the new generation scratches their heads wonder who the hell this guy is.

Super Troopers 2 – Seventeen years after making a huge comedy splash with a film about the hijinks of a squad of highway patrolman, Broken Lizard are back with a kickstarted sequel, picking up where they left off. Think of all the quotable lines from that first film and how fondly it’s reminisced about. How can you live up to that hype? The pressure for Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter and Erik Stolhanske must have been immense but, you know what? They pulled it off. No, it’s not quite as “lightening in the bottle” as the first one but if you have a love for these characters like I do, you will just purely enjoy the film of the level of having a reunion with good pals. Is it cheesy? Yes. Is it also hilarious? You’re damn right it is and it opens with a scene I couldn’t believe was happening. Do yourself a favor, comedy fans, and go check it out.

Pain & Gain – What the hell are you doing, Steve? A Michael Bay film of your High Spots list? Bear with me here because I will explain myself. No, I don’t consider Michael Bay to be a good filmmaker at all. He is baffled by how humans interact, he is trigger happy, explosion heavy and can’t keep the camera stationary for a goddamn second. All of that aside, five years ago this week he directed this film about a trio of muscle bound meathead gym rats who decided to make a quick buck by kidnapping a wealth client and the movie is wildly entertaining. Led by Mark Wahlberg, Anthony Mackie and The Rock, this film is all about the characters and the height situations they get into as their stupidity escalates everything but, really, the former WWE superstar takes the cake as the must watch in this one. This and Southland Tales are when I started to really believe in him as an actor.

Better Luck Tomorrow – Long before Justin Lin was known as the Fast And Furious go to guy, he made a little indie film financed with credit cards and with money raised independently by him and his other producers. The film almost collapsed completely until M.C. Hammer of all people kicked in the money to finish it off, then going on to be the first independent film to be picked up by MTV Films for distribution. The story follows a group of book smart Asian-American friends who, out of pure boredom, try out a life of excess and, more importantly, hardcore drug dealing! The movie was my introduction to Lin and his style, followed up by the immensely great Finishing The Game, but also actors Parry Shen, Roger Fan and Sung Kang, who’s character Han actually crossed over into the Fast And Furious series. A discovery from my video store employee days, if you haven’t seen this one then you need to right now. It’ll give you a new appreciation for this filmmaker fifteen years after he made his first mark.

Whenever I’m racking my brain for a film to talk about on these pieces I usually hit up a website to see what movies were released on this day five, ten, fifteen or more years ago and sometimes I get really giddy when I see certain titles. Today’s film is one of those, and one I feel is entirely underrated, Joseph Kosinski’s Oblivion which is five years old this week. Made for about $160 million the full total on its gross was a bit over $262 million, something that isn’t any sort of indicator on its cinematic worth. This movie is gorgeous, intriguingly written and features a great performance from Mr. Scientology himself, Tom Cruise.

You may know Kosinski’s name from the brilliant sequel slash reboot Tron: Legacy, a film that made us nerdy fans take note of his name and patiently await what was next. Oblivion is directly adapted from his own unpublished graphic novel about a man that is basically a caretaker for the earth sixty years after a war with aliens force mankind to abandon the planet for a new home near Saturn. If you haven’t seen the film yet, I will stop my synopsis there and get back to my geek out over this movie because it’s immense. Kosinski’s reverence for sci-fi bleeds into every frame of this film with Kubrick’s 2001: A Space Odyssey being a big inspiration but other classics like Aliens and Blade Runner play their own influencer roles in this vision as well.

With the visual style being so dazzling and enthralling, under the eye of Kosinski’s regular cinematographer Claudio Miranda, you need a soundtrack to go along with it and Joseph Kosinski kept true to having French electro pop stars scoring his films. For Tron: Legacy he recruited Daft Punk who’s contribution is one of the pieces that makes that movie so incredible so the fact that M83’s Anthony Gonzalez adds a special atmosphere to Oblivion should be no shock and the song that closes the film featuring Suzanne Sundfor is one that is still currently in my constant rotation.

All in all, after many time watching it, Oblivion continues to be one of my favorite modern sci-fi films, along with Moon and Sunshine, and makes it into my “if you haven’t seen it, watch it immediately” pile of movies. I saw this Blu-Ray at Walmart the other day for $6.99 and I had so many conflicted emotions. On one hand, it feels like a travesty for this movie to hit bargain blow out pricing, which makes me sad, but on the other hand, this is a price that EVERYONE can surely afford and it gets the movie into people’s players that much quicker then I am supremely happy with that outcome.