We celebrate the stuntman on this week’s episode with Ryan Gosling stepping into the boots of The Fall Guy with Emily Blunt, a fun ripper of a movie. I’ve got two indie queer movies that I really enjoyed, including one produced by Telefilm Canada now playing in limited release, Peter Jackson remastering the theatrical angle on the Get Back sessions and Colin Farrell bringing all his charm and likeability to AppleTV+. All of this plus We’ve got a little surprise for you viewers.
The OCTOLIST is upon us and it all kicks off with a band that just announced a twenty-fifth anniversary tour complete with original masks and jumpsuits! The metal doesn’t end there, as I’ve peppered in some Sevendust, Canadian legends Alexisonfire and the all-woman powerhouse Conquer Divide, angry love and lust songs from Gambino and Meg Myers, catchy tunes from Barns Courtney and TV On The Radio and some good nostalgia songs too. Start out with a heavy blast, courtesy of Corey Taylor and the gang.
One of my favorite bands of all time, a nine-member assault out of Des Moines, I was in complete awe when I saw this band for the first time on the smaller stage at Ozzfest ‘99 at UBC Thunderbird Stadium. I would have originally thought that I would have posted a song of their debut record, one that I listened to over and over again, front to back, but then this short ripper off their sophomore follow-up came on and I knew this would be a killer way to kick off this new list. The decibels are loud, the drums are flying and the adrenaline flows.
“Now I’m not pretty, and I’m not cool But I’m fat, and I’m ugly and proud, so fuck you Standing out is the new pretension Streamline the (sic)ness, half-assed aggression You gotta see it to believe it, we all got conned All the mediocre sacred cows we spawned Put your trust in the mission We will not repent, this is our religion”
Ever since my good friend Tyler introduced me to the YouTube troupe, Derrick Comedy, I’ve been interested in the writing of Donald Glover. Of course, Community came next and the love for Troy and Abed In The Morning and so on but it took a while for me to realize that Donald had moved on to creating music and this track was the first that made it into my ears. A jealous spiteful venom of a song directed at an ex-lover, Gambino gives weight to all the feelings we might have experienced ourselves after a nasty break-up where there’s still a little bit of longing or lust at the edges of it.
“I wanted you to know That I am ready to go, heartbeat My heartbeat I wanted you to know Whenever you are around, can’t speak I can’t speak I wanted you to know That I am ready to go, heartbeat My heartbeat I wanted you to know Whenever you are around, can’t speak I can’t speak”
It was only a matter of time before these grunge rock legends made their first appearance on a playlist I put together and, of course, it had to come from one of the greatest recorded records ever. The second single off the album, sandwiched in between Spoonman and Black Hole Sun, it has been described as a fatalistic song about trying to do one’s best and failing, despite having the best intentions, something that the late and very missed lead singer and writer Chris Cornell wrote so beautifully. I will also say that the metal band Sevendust did a pretty solid cover of this recently too. I think Lajon Witherspoon’s voice is a good conduit for Chris’s voice.
“I woke the same as any other day Except a voice was in my head It said, “Seize the day, pull the trigger Drop the blade and watch the rolling heads” The day I tried to live I stole a thousand beggars’ change And gave it to the rich, yeah The day I tried to win I dangled from the power lines And let the martyrs stretch, yeah”
Speaking of that glorious cover version, ever since I first heard the vocals of lead singer Lajon Witherspoon on the track Black from their debut self-titled record I loved Sevendust but this first single off of their follow-up record solidified them as one of my favorite groups of all time. Formed in Atlanta, Georgia, Sevendust became synonymous with heavy metal as I knew it in the late nineties and early 2000s, almost like the measuring stick for anything heavy and melodic in the nu-metal scene. You better believe that I sing along to drummer Morgan Rose’s baking vocals screaming “Whatever you saaaaaay”. Yeah, I eat that stuff up.
“Bring me your light Make my life worth something more Show me the light Bring the light”
The raw energy and drive of this song made me take immediate notice when I first heard this song on the radio and I said “Who is this? I need more in my life!” Hailing from Nashville, Tennessee, Meg hooks into an inner sexual monster that threatens to not only use up her lover but to devour them completely amid a heavy strum and darkly plucked guitar chorus that gets stuck in my head like a delicious earworm. Plus, that solo after the bridge is so unexpectedly awesome and I definitely air guitar my way through it. Do yourself a favor and watch the music video, it’s really great.
“Honey, I wanna break you I wanna throw you to the hounds Yeah, I gotta hurt you I gotta hear it from your mouth Boy, I wanna taste you I wanna skin you with my tongue I’m gonna kill you I’m gonna lay you in the ground”
If you haven’t had the pleasure of listening to a Barns Courtney album in its entirety, then I suggest you do it immediately because this alt-rock singer and songwriter out of Aylesbury, Buckinghamshire, England is incredibly gifted at making great songs with catchy hooks to them. The mainstream is probably more familiar with big singles of his like 99 or Glitter and Gold but this song is an exhilarating out for a drive rocker that has an anthemic chorus to it and a hard-hitting beat that keeps your head bopping. Barns is deserving of a high level of praise and this song, for me, is one of my favorites he has in his arsenal.
“Put on your sneakers Blow up the speakers Oh, you pleasure seekers Well, what do they know? Your ears are burnin’ They’ve got you squirming”
Track #7: JENNIE – You & Me – JENNIE Special Single
Not only a pop song but a K-POP group from a member of one of the biggest K-POP groups of all time, Blackpink, and yeah, there probably won’t be a lot of them on this playlist but this one was too catchy to not play. The second solo single from JENNIE, this film has all those electro beats that kind of draw me a bit into the genre and I really like how deep that bassline goes. Like I said, I’m not a K-pop stan, as they say, but I really like this track.
“You know I gotcha You know that I got you like that Ain’t nobody gonna have your back like the way I do You love it, just say you do You know you got me Everything you do, everything you did Everything I wish I was with, makes me feel alright I’m just saying, so”
A pandemic discovery I found through Spotify in looking for something new, I heard this ripping track first from this Winsford, Cheshire, England indie rock band and I loved it. From the moment frontman Conrad Ellis sings “Won’t you let me rest my head?”, I was so hooked in. The build into this track and the drive of the song spurred me to take in the rest of the album and it is still one that I throw on pretty often. These guys are keeping rock in England alive for sure.
“It’s cold outside I’m drunk again Let me through the front door, l just wanna see you I’ll apologize about before I can be a real dick without knowing And Won’t you let me rest my head? In the morning we’ll be fine Won’t you let me rest my head?”
Oooooooh weeeeeeee! Yeah, this song is super catchy and Ciara arrived on the scene as a total star. The beat is great, and makes you want to move and I always sing along with this track, especially all the parts with Missy, an all-time rap icon in my opinion. This song also really reminds me of my Rogers Videos days and a trailer for a Canadian dance movie called How She Move that my co-worker Michaela and I would obsess over and hilariously riff about. I guess you really had to be there but this classic song will always have a place in my heart and it makes this playlist even weirder.
“Automatic, supersonic, hypnotic, funky fresh (Ha!) Work my body, so melodic, this beat rolls right through my chest (Yup) Everybody, ma and papi, came to party, grab somebody Work ya body, work ya body Let me see you one, two step (Here we go!)”
I don’t know how everybody else discovered this incredible Brooklyn, New York five-piece but for me, it was when this song was a playable track on Guitar Hero 5 and I played the hell out of it. Remember that game? I miss those times. Anyways, now, through my Spotify recommendations, this group has become an easy favorite and I feel like I’m discovering new tracks all the time.
“Dream me, oh, dreamer, down to the floor Open my hands and let them weave onto yours Feel me, completer, down to my core Open my heart and let it bleed onto yours Feeding on fever, down on all fours Show you what all the howling is for”
This is easily one of my favorite records of all time and, while I could have gone with singles like Accidents or No Transitory, there’s something about the mix of vocals that made me opt for this song first. Hailing from St. Catharines, Ontario, this band is part of the defining pillars of post-hardcore, at least in my music tastes and a song like this just drives home my point.
“Now I’m afraid of open water But I often bathe in sin Let’s be honest You know you shouldn’t bother Cause with me, it’s impossible to win”
This is a song that goes way back to my days in the 90s creating mixtapes out of songs I taped off of the radio. Young Steve listened to this track over and over again and even celebrated the Jerky Boys movie when it came out because the song was on the soundtrack. Is it a comedy that holds up? I have no idea because it isn’t available anywhere but I digress. This is one of many great tracks off of one of the best albums, front to back, of the nineties.
“Well let’s bungle (uh-uh, uh-uh, uh-uh) And live to tell (uh-uh, uh-uh, uh-uh) How we came together (uh-uh, uh-uh, uh-uh) Yeah, how we gelled”
This song making it to my playlist is a testament to making sure you add music to your liked songs list all the time. Most likely due to my love and appreciation for bands like Eyes Set To Kill, In This Moment and Within Temptation, my recommended music list put me onto this Michigan metalcore band with ties to the U.K., Canada and Serbia. An all woman five piece, I really got into their work with this second record, one that came eight years after their 2015 self titled debut and it was this song that started the journey into their sound. Kiarely Castillo and Janel Duarte’s voices in clean and unclean tandem are beautiful together. Huge fan of these ladies and hopefully the next album isn’t an eight year journey again.
“If I stay away (Away) Would you only suffocate? Bleed me out until I break? I’m wide awake (Awake) It’s getting harder to pretend It’s you I won’t resent”
A beautiful and emotional song from, not only one of the the best albums of 2022, but one of the best albums of the past decade, this song is Styles flexing his skills at writing a touching ballad that resonates. Ninities girls will pick up and love the song if they had a childhood attachment to the Roald Dahl adaptation Matilda because that is the source that Harry pulls from. Harry’s House is a special record that doesn’t have a skippable track but this one really is a total showstopper and I love that it can do it with some quiet simplicity.
“You’re just in time, make your tea and your toast You framed all your posters and dyed your clothes, ooh You don’t have to go You don’t have to go home Oh, there’s a long way to go I don’t believe that time will change your mind In other words, I know they won’t hurt you anymore As long as you can let them go”
On a solo mission this week with Chloe sitting out but I run into a dilemma as I now have four films vying for number one of 2024 as I took in both Challengers and Love Lies Bleeding. I have an absolute blast with the gory action flick Boy Kills World, dig into a couple of Canadian films, one of them filmed and set in my neck of the woods and hit some television, including two shows with Jeff Daniels. All this and more on your weekly list of what to watch!
This week I got to sink my teeth into Radio Silence’s new vampire flick and give my thoughts on a one-woman thriller starring the monster mommy from Evil Dead Rises and George Mackay’s chilling portrait of an incel psychopath. I finally got to check out my 4K of a James Cameron aquatic masterpiece, Robert Downey Jr., Park Chan Wook and Don McKellar have cooked up something I’m in total love with and so much more!
I really thought I had a good, slightly mellow but completely accessible playlist going on for for number seven. I even opted for the most mainstream sounding song by an old nu-metal favorite of mine and had some classic “sounding” rock, as the oldest record appearing on this list was from 1995, a song I taped of FM radio then played it to death. Then, I come through with the facemelting metal of Dez Fafara and an epic metalcore group from down under before finishing off with one of the best album openers of 2022. I would also say that this playlist brings home the important
To be completely honest, I don’t think I’ve come across a bad Phantogram song yet and that includes their side project with Outkast’s Big Boi called Big Grams. This duo from Greenwich, New York always has precise beats, incredible vocals and a drive that always makes you want to groove to it. This was the first track I ever heard by them, the second track off of their second album, and my electro-pop obsession became fully realized with them. I also heard it on the series How To Get Away With Murder very quickly afterwards.
“Dig a hole Fireworks exploding in my hands If I could paint the sky Well all the stars we shine are burning red”
Before Tool or A Perfect Circle even make their first appearance on one of my playlists here, in comes one of Maynard James Keenan’s weird side projects but one that is very much him. I will say that I got into Puscifer very late but it was this badass track that got me into them and the Milla in this mix did for sure. For those who don’t know, Resident Evil and The Fifth Element actress Milla Jovovich guests on this song and adds even more attitude to an already gritty and biting song.
“Bought a hot shot gat from a north end Guinea (What do you know?) Ante up with your ass ’cause you ain’t got a penny (What do you know?) Droppin’ bombs from above cut ya all down to size (What do you know?) ‘Cause they’re hip to the bull and they’re hip to the lies And they’re hip to the lies”
As an album, this fourth one from Irvine, California rock band Thrice, Vheissu, is an important one in my life and a record that I constantly and consistently go back to. A disc with an incredible flow to it, this track, in particular, brings an atmosphere to it that is truly special and resonant with haunting guitar licks from Teppei Teranishi, one of my favorite songwriters ever. I recommend putting on headphones, closing your eyes and drifting away to Dustin Kensrue’s lyrics. This is definitely not the last Thrice appearance.
“Step out from time See the dust of nations Step out from time Hear the stars’ ovation”
Another Spotify recommendation that just caught on to a fever pitch, I was first brought to the electro pop sounds of the Lowell, Massachusetts trio with their third album, Use Me, and the first single off of it, Death Of Me, a song that will definitely end up on a playlist in the future. This track came from a dig into their other albums, this song coming off of their debut record, and it hits on my love for groups like Metric, Dear Rouge and Yonaka with a cornered sound within electro pop.
“I’m watching I’m waiting I’m aching Suffocating I’m breathing I’m speaking Can you hear me? I’m screaming for you”
I’m definitely very new to the music of J. Cole and the Fayetteville, North Carolina rapper seems to be very much in the news right now with this beef and diss track war between Drake and Kendrick Lamar so maybe it’s the best time to add him to a playlist. I love artists who go outside of the genre to create like Kid Cudi does or Mac Miller did, rest in peace. This is an awesome reflection of that and an absolute earworm that got recommended to me on a random playlist.
“She knows She knows, ayy Bad things happen to the people you love And you find yourself praying up to heaven above But honestly, I’ve never had much sympathy ‘Cause those bad things, I always saw them coming for me I’m gonna run, run away (Oh, I), run run away, run away (Oh, I-I-I) Run away and never come back (Well, alright) Run run away, run run away (Oh, I), run away (Oh, I-I-I) Show ’em that your color is black (Well, alright)”
Yes, this is definitely one of the more commercial songs from this Bakersfield, California band that will always have a special place in my heart. I thought maybe I would’ve started with something off of their debut or even the follow-up, Life Is Peachy or even Follow The Leader but there was something about the way this song hit my ear that I know this would be the beginning of many appearances for Jonathan Davis and company. Like a lot of Korn songs, this track plays on themes of loneliness but I love that Jon is more on the point of music being your savior.
“Because the music do And then it’s reaching inside you Forever preaching, “Fuck you too” Your scream’s a whisper Hang on you, twisted transistor”
Roaring out of Sydney, Australia, Andrew Stockdale and his trio were put on this earth to remind everyone that the classic rock n’ roll that the boomers rail on about having disappeared is alive and well and inspiring so many people. The cheat here is that I say this song came out in 2015 in this blog but I’m taking the track off of the ten-year anniversary edition of their landmark debut record and not one of the easy songs like the radio single Woman or the now hockey anthem The Joker And The Thief. Instead, I opted for a tune that has a good old Stockdale scream at the beginning, for added effect.
“Lightning crash on the hill tonight, yeah And I got a feeling everythin’ is gonna be alright Then a horse came a-runnin’ to me I said, we’re gonna go to the sanctuary Then a storm began to blow into another dimension”
Being a generational MuchMusic kid, when the music video debuted for this track off the debut record of this Leeds, West Yorkshire alt-rock band, I was infatuated. I taped the video and watched it over and over again, singing along and breaking it all down, heck, I wanted to BE lead singer and bass player Royston Langdon. He was damn cool, so cool that he later married one of my dreamgirls Liv Tyler. They later divorced but that’s not the point. The point is he is and was pure cool and this song will always be an all-timer for me just for this simple reason. And that piano outro? C’mon, it’s magic.
“And when I cry for me, I cry for you With tears of holy joy For all the days you’ve still to come And did I ever say I’d never play, or fly toward the sun Maybe in the meantime, something’s wrong”
My love for this track has to be directly related to my wife Jen showing me them along with a handful of other British groups that had slipped under my radar with all my heavy metal consumption at the time. Pulled from the debut record of the London band, categorized as dance-punk, new rave and pop rock, the harmonized vocals and the rising drive to this song pulled me in deep. To me, it’s crazy that this was the second single but Magick is still pretty great although I don’t think it gives a broad enough feel as Golden Skans does.
“Light touch my hands, in a dream of Golden Skans, from now on You can forget our future plans Night touch my hands with the turning Golden Skans From the night to the light, all plans are golden in your hands”
I get really into dark pop and electro songs and this duo from Austin, Texas piqued my interest with the radio anthem Middle Fingers but hooked me down to the depressing depth beats with this beautiful and haunting track. The crazy thing is that among their three tracks that have charted as singles on United States alt-rock radio, it ranked the lowest. Sometimes I feel like the world doesn’t have any taste because this song has soul, and production and is a focus on founding member Matthew Brue’s winding road to sobriety as he reflects on his teen years as an alcoholic and addict.
“Welcome to my cage, little lover Attempt to rearrange with ya, baby Still don’t know your name, Miss Honey Let’s go up in flames, pretty lady”
Going old school to a simpler time in 2002 when electro was still pretty popular but the man at the top of the mountain, arguably at the time, was the New York City-born musician Richard Melville Hall, known to us as Moby. 18 is a long and fantastic record but this song pulls from my love for movies and music as this song is also known as the Jason Bourne theme, first playing in the Matt Damon character’s debut in The Bourne Identity that same year and appearing in every one of the films afterwards. Those beginning notes are iconic but the rest of the song gets me as Moby’s music always has a growing atmosphere that resonates with me every time I hear them.
“Extreme ways are back again Extreme places I didn’t know I broke everything new again Everything that I’d owned I threw it out the window, came along Extreme ways I know will part The colors of my sea Some perfect colored me Extreme ways that help me They help me out late at night Extreme places I had gone That never seen any light Dirty basements, dirty noise Dirty places coming through Extreme worlds alone Did you ever like it then?”
After over ten tracks of pretty solid but largely calm and acceptable tracks, I’m now going to shift the script and melt some faces, starting with this title track off of a Santa Barbara, California groove and melodic death metal band’s fourth album that means a hell of a lot to this metal head. My love for Dez Fafara’s band Coal Chamber led me to his much heavier new project with their debut record and, after buying each subsequent record that followed I remember my anticipation putting on this CD as soon as I got it and this leading and title track ripping through me like a lightning bolt of energy. This song flies from the build-up at the beginning and is relentless to the end. My kinda jam.
“Every sorrow has its source And your conscience isn’t free In the dog days of summer On another sober September This was meant for you”
Alright, let’s head back down to Australia for some more shredding metal and guttural screams with this monster of a track from this Byron Bay, New South Wales metalcore group. This track plays as a celebration of the band’s twelve years of existence and has some brutal breakdowns that feel almost iconically related to them. At its core, this song feels like a beautiful brochure to come visit Parkway Drive sonically because they have some metal wonders to show off and they definitely won’t be slowing down any time soon. The track is a ferocious gift that keeps on giving.
“12 years I’ve fought for this 12 years my heart still beats For the ones who’ve stood beside me Through the values that define me No compromise, no surrender These beliefs, they make me whole Never the breaker, promise keeper Remains the ethic instilled in me”
After my discovery of Bring Me The Horizon, this was my next post-hardcore immersion and the leading single off of their second album, Finding God Before God Finds Me. Cue the arrival of their next album and one of my favorite records of 2022, THE DEATH OF PIECE OF MIND, a record filled with banger after banger and maybe the crowning achievement of this Richmond, Virginia four-piece. CONCRETE JUNGLE is the first song on the album and sets a brilliant tone for it, especially with the first growl from singer Noah Sebastian with the line on the breakdown “And I’m the fucking king”. Just awesome and an immediate energy bringer.
“The coyotes cry And the sirеns pass and harmonize Fires starting every day and night Burn around us while we’re trapped inside Wouldn’t it be nice To play the game without a crooked die? In a world where you don’t have to hide? You don’t have to live in a disguise”
This week is a big episode for me as an Alex Garland fan as I talk about one of my hugely anticipated films of 2024 and A24’s biggest theatrical hit ever. I also dig into an Aussie horror thriller currently streaming on Shudder, a Criterion Collection addition from an acclaimed Hungarian auteur and a film which was banned in the area where it was filmed when it was first released. Chloe has a couple of pieces of the increasing goldmine being produced with television adaptations of video games and much more.
This week there are two absolute masterpieces of genre in theaters, Late Night With The Devil and Monkey Man, and I also checked out possibly the crown jewel of Robert Altman’s illustrious career in Criterion 4K for the first time. Andrew Scott takes on the role of Tom Ripley in a new Netflix adaptation, shot in black and white, a chilling and traumatizing Steven Soderbergh thriller in 4K and Chloe so much more on this latest episode.
Six playlists in now and, yeah, I can definitely see how they are jarring from time to time tone wise but that is the multi headed hydra of creating a listing of songs out of the music that catches your ear day by day. I will say as a result for this week, it leads to a hard shift from Florence Welch to the hard bark of Lamb Of God’s Randy Blythe but that’s part of the fun right? Look, I start it all off with an actual Nobel Prize winner so that is a good start, right?
This man’s lyrical ability is so incredible that it land him a Nobel Prize for his follow-up to this record, DAMN, but it was that album that led me to check out this one and King Kunta stood out to me right away. With a killer beat and groove, this song is clearly about the main character of the novel and television adaptation Roots and the main character of Kunte Kinte. Kendrick compares both of their paths as well as the attempts to hobble them both, like the cutting off of Kunte’s foot. Just a fascinating song at its core but damn is it catchy!
“The yam is the power that be You can smell it when I’m walkin’ down the street (Oh yes, we can, oh yes, we can) I can dig rappin’, but a rapper with a ghostwriter? What the fuck happened? (Oh no!) I swore I wouldn’t tell, but most of y’all sharing bars Like you got the bottom bunk in a two-man cell (A two-man cell) Something’s in the water (Something’s in the water) And if I gotta brown-nose for some gold Then I’d rather be a bum than a motherfuckin’ baller (Oh yeah!)”
Boston Manor was a gift given to me by the Gods of Spotify as a recommendation, which is a great argument for always making sure that you click like on all the songs you dig on the app. This Blackpool, Lancashire, England rock band hooked me with their album Glue and this new track was the leading song off their latest record, which is the first of a two-album concept. Sometimes I just need a good and edgy song to rock out to and this filled the need big time.
“These fucking problems keep following me Maybe I’m the problem, maybe it’s me Find me at the bottom because that’s where I’ll be No one’s invincible, I’m stuck in the middle”
With a barrage of mindblowing double kick drums, fast palm mutes and an operatically trained lead singer, Fear Factory was one of my favorite bands of all time. An almost daily listen for me, Burton C. Bell, Dino Cazeres, Christian Olde Wolbers and Raymond Herrera created three albums in a row of instant classics for me and this track leads with that double kick assault that gets my blood pumping and adrenaline flowing. They are also must-see in concert, one of the best I’ve been to, but this iteration of the band especially.
“Sadness in my heart like a storm that ripped apart All the fragments of what was happiness It takes over, and numbs me Shows the fear inside me Takes over and numbs me Shows the fear inside me”
Along with Taylor Swift, Lana Del Rey, Father John Misty, Post Malone and a few others, Billie and her brother Phinneas are up in the top echelon of the greatest current songwriters. It’s an undeniable fact, no matter what any ignorant hater has to say. Billie is also one of the greatest singers on the planet and has released two full albums to prove that and has the incredible ability to chameleon herself into many different genres, just as this track showcases. Using the Brazillian style, Billie outlines the story of having romantic hotel trysts under the guise of fake aliases which is such a fitting topic for her that only expands as her fame does. We all have to remember how young she is and that this world largely only seeks to take her down, sadly.
“I’m not sentimental But there’s somethin’ ’bout the way you look tonight, mm Makes me wanna take a picture Make a movie with you that we’d have to hide”
On Zombie Jesus Day (Good Friday), we listen to Creed and croon along with Scott Stapp on a single that was part of a landmark debut album in my opinion. Yes, I well know the decline that the band would go through as ego and fame landed on Stapp’s shoulders but this song has such a great drive to it and that bridge is still incredible and like the sun breaking through a raincloud. Yeah, I got metaphorical with Creed here.
“But they aren’t here anymore Don’t have to settle no goddamn score Because we all live under the reign Of just as you know of one king, one king, one king”
My love for this song definitely can be attributed to my maturity as a music lover as I didn’t appreciate Supergrass in my late teens but forty-year-old Steve is all about them. A really simple song at its core, Mary is an easy bop to rock out to and that tried and true sing-along chorus style cements it as a sneaky little go-to party song. Chill vibes in rock and roll must always be sought after I think.
“I get the feeling you’re not ordinary I got a head like falling masonary I’ll cut your strings, ah yes, a puppet machine I watch you drop and fall apart at the seams I meant to get you, let there be no doubt You wanna try and get your teeth knocked out I’m gonna push you further into my dream The back of every head holds something obscene”
An indie pop rock four-piece out of Uxbridge, Middlesex, England, I fell hard for these guys immediately with their record Lie Out Loud, an album that doesn’t have a single weak song on it. During my newfound obsession with lead singer and guitarist Ophelia Booth and company, I started digging into their back catalogue of singles and found this gold little morsel, another notch on the early career of a band destined for superstardom.
“I’m in love with her pale face And I’m chewin’ on metallic taste But I don’t like the way she talks to me ‘Cause I’m in love with her pale face And I’m chewin’ on metallic taste But I don’t like the way she talks to me”
Maria Brink is an absolute metal goddess and I’m really disappointed in myself that I didn’t get into them before the pandemic days but the releases of the Mother record, a very fitting title, solidified that I needed this L.A. metal band’s music in my life regularly. This song is a brilliant showcase of their sound and certainly Brink’s commanding power.
“My mother said that I was holy My father said that I would burn My mother said I was an angel My father said that I would turn So I believed these words and I turned on myself ‘Cause maybe he’s right, maybe I’m worthless Or maybe he’s wrong and my mother was right I got a killer in me to give me purpose”
I fuly regard that this isn’t the original version of this song and this isn’t taking anything away from that incredible David Bowie creation but Kurt and company added something incredible to this and that is their grit. One of the leading songs off of one of the greatest live albums of all time, this song always stirs me up inside just with the beauty in how it’s delivered. It’s fascinating that the song’s main character is a man who felt like he had sold his soul and personality, which is exactly what Kurt was feeling at the time. Crazy and so sad.
“We passed upon the stairs We spoke of was and when Although I wasn’t there He said I was his friend Which came as a surprise I spoke into his eyes I thought you died alone A long, long time ago”
Another Spotify recommendation, this was the first song that put this Hammersmith, West London singer on my radar and I’ve loved everything I’ve listened to. The song feels very personal to Arlo, as do most of her songs, and was born from a late night bus trip poetry writing according to the stuff I read when digging into her work. I love finding new artists and it seems the England is always my biggest go to.
“Hey, I know I’ve been a little bit off and that’s my mistake I kind of fell half in love and you’re to blame I guess I just forgot that we’ve been mates since day Yeah, I don’t know what to say Hey, I know I’ve been a little bit off and that’s my mistake I kind of fell half in love and you’re to blame I guess I just forgot that we’ve been mates since day Yeah, I don’t know what to say”
One of the most powerful voices in music ever, Florence Welch is a force of nature and an awe inspiring talent. I am so enamored with her that I still hold it against Sam Smith that she never got her chance to shine as a Bond theme song artist. This song, the lead single of four off of her third album, starts with that incredible lead in that hooks youtube the ear and doesn’t let up. Love Florence and the sound of the machine for sure.
“Hey, I know I’ve been a little bit off and that’s my mistake I kind of fell half in love and you’re to blame I guess I just forgot that we’ve been mates since day Yeah, I don’t know what to say Hey, I know I’ve been a little bit off and that’s my mistake I kind of fell half in love and you’re to blame I guess I just forgot that we’ve been mates since day Yeah, I don’t know what to say”
This cray assault of metal from Richmond, Virginia will always hold a special place in my heart as they are the band I’ve seen the most live and it is always an incredible experience. I would’ve thought that my first of their songs would have been off an album like Ashes Of The Wake or The Sacrement but there’s something ferocious about this track that spoke to me when it came on and I couldn’t deny it. According to guitarist Willie Adler, the song was the first from their Maine writing session and was Frankensteined together from other demos. It is such a ripper of a song, maybe my favorite on the record.
“The mother of exiles stands there weeping As her children tear themselves apart Knives are out, her thoughts are bleeding Blood runs down her welcoming arms Her feral brood has turned neglectful The chains she broke are rusting closed Imprisoned lightning burns forgetful Spoiled blind to the light that she holds”
Every now and then I let my pop punk flag fly high and there is no other outcast anthem from the mid-2000s than this inspirational sing-along piece from Tyson Ritter and his Stillwater, Oklahoma band. I can not lie, the big catalyst for me adoring this song was it’s use in the Amanda Bynes comedy She’s The Man, a movie I used to put on time and time again when I was a video clerk but it is probably the only song of the All-American Rejects that still makes its way into my playlists. Will I go back and pull any more off of this very popular album? If I’m feeling emo enough on that day? Sure will.
“When all you gotta keep is strong Move along, move along like I know ya do And even when your hope is gone Move along, move along just to make it through Move along”
Poppy is definitely an artist who taps into my weird side of music but she is also a genre bending songmaker as, this song is an electro si-fi pop bop but my discovery of her music was I Disagree, a true post hardcore metal song. A former YouTuber out of Boston, Massachusets, I saw Poppy perform on a NXT pay per view and I was totally intrigued into checking out the album leading me to this track, a song from an AI point of view that has decided that the human race is too destructive to let continue to exist. I thought the approach was so wild and Diplo is a great producer of that style.
“In the factory, in the sterile place where they made me I woke up alone Dizzy from the programming, have I been wiped again? Oh my God, I don’t even know It’s a mystery, everyone around me’s so busy Is this my home? Am I your prisoner or your deliverer? Oh my God, you don’t even know”
It’s time to head back to the Monsterverse in this week’s episode as Steve digs into Godzilla x Kong: The New Empire, then switches gears totally for the new based on a true story comedy with the brilliant pairing of Olivia Colman and Jessie Buckley. One of Steve’s top films from last year’s Vancouver International Film Festival finally gets a limited release, the Alex Jones documentary is here to make you hate him more (it’s possible) and much more!
We’re back in video form this week in a return to normalcy. We then turn to the paranormal with the new sequel Ghostbusters: Frozen Empire, I have some good thoughts about the new Road House remake which might make up for my double dip of very French films. Re-issues on Blu-ray lead to my first watches of Harrison Ford’s one and only Oscar nomination and Jeff Bridges as a great fictional president. All this and lots more on this new episode!