Steve Stebbing

What The Hell Should I Watch – Jun 5

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June 5, 2026

After an unplanned week off, Chloe and I are back with a great slate of new releases currently in theatres, a couple of streaming binges and more. Many apologies go out to you, the viewer, after a head cold took me down, but trust us, you didn’t want to see me struggle through it. The result wouldn’t be pretty!

We start off with Star Wars: The Mandalorian and Grogu, the first from the famed franchise in theatres since the very lacklustre finish to the latest trilogy, released seven years ago. While Lucasfilm seems to be hemorrhaging money out of this release, I have some fun with the family for this movie, and I implore people to give it a chance. I will acknowledge that it is a reworking of an entire season into one feature, but I’ve made my peace with that.

The money part of this episode is something that has sparked a new obsessive rabbit hole for me, Backrooms. Written and directed by a nineteen-year-old Kane Parsons, this is the A24 big-screen produced feature continuation of the YouTube he started, using the free editing app Blender. This movie is immersive, gripping and a dread-filled odyssey that will stick with you for days or weeks after.

While we celebrate the good horror, here’s another entry into the genre that isn’t as great, The Autopsy Of Jane Doe director André Øvredal’s new road trip creeper, Passenger. I argue that the film benefits from a sort of effective trailer that is more like a short film, but sadly, the end product loses all of its steam before the third act. Let me tell you, I shouldn’t be outright laughing during a horror film in its bigger setup moments!

We go out on a good one in theatres, though, as a Vancouver International Film Festival blind spot finally gets its release on the big screen. Tuner is the second film from filmmaker Daniel Roher in 2026 and, for me, cemented Leo Woodall’s status as a formidable leading star and reminded everyone of the timeless charm of Hollywood legend Dustin Hoffman. This film might go down as one of the best this year, in my opinion.

Moving on to the streaming, Nicolas Cage, personal movie god and constant in my film appreciating life, does something he has never done in his storied career: Television. Re-entering the Spider-verse again, Spider-Noir not only gives the legendary Nic his first real comic book win (aside from Kick-Ass) but also was something he called “the most satisfying work of his career”. The fact that you can choose to watch it in black and white or colour just adds to the cool factor.

Finishing up, Mindy Kaling has another new series to add to her Infinity Gauntlet of solid shows she has created, and it feels like a bit of a spiritual sequel to some of her best work. Not Suitable For Work follows a group of early twenty-something New Yorkers looking for the next step after high school. Love, work and living situations are all relatable subjects, but this pilot didn’t hit as well as Never Have I Ever did, a Netflix favourite on this show.

Chloe butts in with a real classic this week, making me a really proud father as she discovers the 90s independent films that shaped me as a movie lover. SLC Punk is the discovery this time around, and both of us give the great Matthew Lillard his flowers as Chloe praises a side of his talent she previously hadn’t seen before. It’s easy to remember that this film hits hard no matter what generation is taking it in.

Coming up next week:
Scary Movie
Masters Of The Universe
Carolina Caroline
Our Hero, Balthazar
Stop! That! Train!
The Voices Of Our Mother
Heel
…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – May 22

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May 22, 2026

Chloe and I are back with a brand new episode! This week is a confirmation that horror fans are feasting on some serious genre work and that we might be over the “actor’s exercise” of Shakespeare. A couple of effects-heavy films from the last twenty years get shiny new 4K editions, Blu-ray goes brat, and there are a couple of niche things to tickle your brain on the streaming.

First up is Obsession, the debut of You-Tuber Curry Barker in the land of feature filmmaking. One bad decision makes a cascade of nightmares for our sad sack lead character, but it’s the victim in question, Inde Navarrette, that shakes our entire universe. I’m saying it here, if she isn’t recognized in awards season, we’ll burn it all to the ground!

Then there’s Hamlet, Riz Ahmed’s version of the Shakespearean tragedy but with a definite Pan-Asian seasoning. Made closely with his friend, with whom he won an Academy Award for a short film in 2022, there is no doubt in Riz’s ability to command on screen. The question is, in 2026, do we require more straightforward word-for-word adaptations of possibly Billy Boy’s most famous work?

We then shift to Blu-ray and a couple of new 4K remasters. First up is Speed Racer, the Wachowskis ‘ faithful adaptation of a classic Japanese cartoon. While the film didn’t hit the mark with audiences, post Matrix trilogy, it seems to have found its cult status in the almost twenty years since its release. What is obvious is that all the dazzle on display certainly bodes well for this brand new hi-def version, and I think the box office did this one dirty!

Then, in the realm of ultimate 4K releases, Robert Zemeckis brings his Philippe Petit biopic to the format in The Walk, an adaptation of James Marsh’s incredible documentary, Man On Wire. Joseph Gorden Levitt learned to tightrope walk in record time to give all of the audience insane vertigo, thanks to the wizards at the Zemeckis-created ImageMovers. The experience feels pretty immersive, and I’m shocked that this film was forgotten so quickly, but this 4K is a great reminder of its existence.

Wrapping up the physical disc section, global phenomenon Charli XCX’s documentary finally gets a Blu release. This one is fascinating as it takes an intimate look at the star’s creative process in the midst of the worldwide pandemic, which shut down her first major world tour. Now, after the brat tour, she’s an absolute superstar, but this is an engrossing look into the mental trauma of isolation, world uncertainty and using the voice of the fans to create something new.

At the top of the streaming pile this week, Frank Castle is hard drinking and in a full-blown PTSD crisis in the Marvel special, The Punisher: One Last Kill. He’d better get sober because Ma Gnucci is exacting one last beat of revenge for her fallen family, sending every last piece of power into Castle’s apartment building, with the prize being his head. Written by Jon Bernthal himself, this is a quick but bloody, violent hour-long episode to set you up for Spider-Man: Brand New Day.

Lastly, Netflix assembled a hell of a veteran cast for their new mystery thriller set in a desert locked retirement community, and it was so enticing that the Duffer brothers, the creators of Stranger Things, jumped on board for The Boroughs. Featuring Alfred Molina, Geena Davis, Bill Pullman and more, this series takes an almost Amblin Entertainment approach to the mystery at the center of the eight-episode run, and it really pays off. Also, Denis O’Hare is a treasure.

Chloe butts in with a long binge she has been conducting on the Paramount+ series, From. The exact thing she needed to stop yet another long rewatch journey through The Walking Dead, this mystery horror has a town residing in the middle of an endless loop, populated by night monsters intent on killing for fun. Yes, this one unsettled Chloe with all the excessive, monstrous smiling. It’s a weird one, for sure.

I also make Chloe end her segment with more of a positive leaning review on The Super Mario Galaxy Movie after I trashed it a few weeks back. Chloe fangirls about background characters and Star Fox, as well as waxes poetically on the most panned Mario game, Super Mario Sunshine. That said, she has her digs at it, and most of it is about a voice cast we are stuck with now at this point in the franchise.

Coming up next week:

Star Wars: The Mandalorian And Grogu
Passenger
Tuner
I Love Boosters
The Yeti
Sound Of Falling
Spider-Noir
…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – May 15

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May 15, 2026

Chloe is back in the co-pilot seat this week as I don’t have to go it alone and we’ve got a myriad of fun things to talk about this week including a R-rated video game secret, a shepherd’s flock becoming the English countryside’s greatest detectives and an on stage experience of one of the biggest concert experiences from one of the most gifted young songwriters in the modern age. Yeah, we’re hitting it big this week.

We kick everything off with a visit to the Mailbag, which has one of my proudest moments in a message we received from an actual filmmaker that Chloe talked about on a recent episode. I also shed some light on the struggles of a small theatre that has been nestled in Oliver, British Columbia, for over seventy-five years.

The first little bit of freshness for those eyesies is Mortal Kombat II, the middle installment of a projected three-film reboot of the famed one-on-one tournament video game series, and, yes, this is the actual tournament now! After debuting the first film during the pandemic era of releasing, Karl Urban joins the crew as the iconic Johnny Cage, taken straight from a comic con to the other-dimensional realm of Outworld. Does it up the ante from the first movie and make audiences salivate for more? Or, does it FINISH us?

Next is the wholesome murder mystery of The Sheep Detectives, and, yes, you read that correctly, I put wholesome and murder in the same sentence. Illumination go-to director Kyle Balda makes his live-action debut with a big group of animated sheep to create this sweet-hearted family film that is brimming with laughs, great dialogue and some serious intrigue. The film has been described as Knives Out crossed with Babe, and it is an aesthetic that you didn’t know you needed in your life!

Finishing out the batch is the visual 3D experience that is Billie Eilish’s Hit Me Hard And Soft tour, and you know she means business because she got the “King Of The World” James Cameron to help her deliver this incredible concert film to her adoring fans. As a fan of Billie, both as an artist and a person, this movie was a necessity to see, but does that have the same effect on a casual fan, a hater or someone completely unfamiliar with her work? I break it down, plus we get into a discussion on some of her controversial statements recently.

On Blu-Ray this week, Chloe and I are finally able to discuss the lo-fi sci-fi fantasy OBEX, which we took in at the Vancouver International Film Festival back in October last year. Oddly sentimental and a driven dog lover story, we both absolutely adored this Zelda meets Eraserhead odyssey through classic fantasy gaming and yearn to recommend it to people, but, as Chloe points out, who exactly is that? Yes, this one is for the niche community, but it doesn’t make it any less great.

Also, just recently ending its first season run on HBO, Task is now available to pick up on Blu-ray, and those who loved the Kate Winslet series Mare Of Easttown better perk up their ears because this is what you’re getting instead of a season two. Led by a seasoned and weathered Mark “Scruffalo”, this cops versus robbers drama forges forward with characters that feel textured and tangible, all the way down to the antagonist’s incredibly likable leader, played by Tom Pelphrey. If you like a good, gritty crime drama, this might be the one that slipped under the radar.

Chloe makes her presence felt, giving her thoughts on the new Handmaid’s Tale spin-off, The Testaments. Starring One Battle After Another’s Chase Infiniti, the series picks up where the original Elisabeth Moss show left off and, while the internet does its thing to try to hobble this show in its debut season, Chloe is adamant that all the pieces are in place to make a fantastic series. With a ten episode run already in the books for the show, this might be another hit for Hulu/Disney.

Finally, I got to add a little drama to my collection this week that definitely plays better for the older audience, Midwinter Break, but it was also one that didn’t jive with critics that much. That said, the film features two stalwart veteran actors in Lesley Manville and Ciaran Hinds, to presences that made this one a must-see for me but an eventual one because I didn’t want to drive across the Okanagan to see it in theatres. Not with these gas prices!

Coming up next week:

Obsession
Hamlet
Is God Is
In The Grey
Marty, Life Is Short
The Punisher: One Last Kill
…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – May 8

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May 8, 2026

This week on the show, I go solo again while Chloe deals with her immunity that rivals that of Jake Gyllenhaal in Bubble Boy! On the slate for review is a sequel that was considered “never happening” for a long time, an Irish countryside horror that might be the first TRUE scare of 2026, another faith based feature film that I watched to see if they changed their storytelling goals, a couple streaming movies that have been teased for weeks and more!

First up is The Devil Wears Prada 2, the return to the offices of Runway magazine for a reunion between cutesy journalist Andy Sachs and the boss of all bosses, Miranda Priestly. With our big four, Streep, Hathaway, Blunt and Tucci, all returning to their iconic roles for another jaunt with the same creative team leading, does this return after twenty years justify itself? I will tell you now, Tucci is, AGAIN, an MVP!

Next is Hokum, the third film from writer and director Damian McCarthy, who has already creeped us out on Shudder with Caveat and Oddity. Now, for his first big screen release, he puts Adam Scott through the ringer at an old Irish inn that may or may not have a witch trapped in their famed honeymoon suite. Is it true or a bunch of, ahem, HOKUM?

On the physical disc this week, Lionsgate and the Kingdom Story Company really want the word out on their music driven sequel, I Can Only Imagine 2. The big question is, have they adjusted the narrative from giving out a pamphlet on Christian faith to a compelling story and character given drama? I wouldn’t hold my breath on that, sadly!

On Disney+ for a few weeks now, writer and director BenDavid Grabinski flexes his film nerd with a mobster action film that features an unconventional time travel aspect to it. Is Vince Vaughn great in it? Is James Marsden great in it? Is Eiza Gonzalez great in it? Is Vince Vaughn great in it? The answer is yes but there might be upstaging thanks to a hilarious Jimmy Tatro. Also, this film features two phenomenal needle drops and a lengthy debate on Rory Gilmore’s choices in men!

Finally, pivoting over to Prime Video, I get to get some thoughts out about the new ballerina versus russian gangsters action flick, Pretty Deadly. The film features all the bombastic fight style of David Leitch’s 47 North productions but are all the other pieces in place to make this a fully rounded kick ass experience? Besides Uma Thurman having some villainous fun, I’m skeptical about this finished product.

New To My Library this week, I dig into a couple animated complete series, one a reboot of an 80s classic and one for both kids and their stoner parents, a true crime limited series starring an unrecognizable Renee Zellweger and a lo-fi rave culture film from the year 2000 (sing that part) that Sony has upgraded to 4K.

Coming up next week:

Mortal Kombat II
The Sheep Detectives
Billie Eilish: Hit Me Hard & Soft The Tour – Live In 3D
Peter Hujar’s Day
Remarkably Bright Creatures
…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – May 1

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May 1, 2026

This week’s episode is a weird mix of a glossy, revisionist biopic, a real time thriller that everyone’s dad will love, Anne Hathaway literally becoming Mother (for better or worse), a plane crash disaster flick with the added spice of frenzied sharks, an intriguing and personality filled look into the escort industry and a couple of very welcome library additions, one featuring a young Willem Dafoe.

From the long-awaited King Of Pop biopic to shark-infested plane-crash chaos, A24 weirdness, and a brand-new Netflix rework of a great Tony Scott movie into a series, this is one of those episodes that rattles around a plethora of genres, some better than others.

First up is Michael, the long-awaited Michael Jackson biopic that arrives with all the weight and controversy you’d expect. Not in the movie, of course! That would be acknowledging it! Although it is doing well at the box office, Michael goes the glossy revisionist route in a decision that took me out of the film more and more. My catharisis IS this episode, trust me!

Then there’s Fuze, a tense thriller that works best when it leans into pressure-cooker suspense and lets the characters spiral under the weight of everything that can go wrong in a split second, whether you’re mere feet away from an unexploded World War II missile, in the command center overseeing everything or, maybe, robbing a nearby bank in the silence of an evacuated London. It’s that bead of sweat caused by tension that hangs off the end of your nose and won’t drop.

I also checked out Mother Mary, which brings David Lowery into his wheelhouse of contentment, and he brings out ALL the colors and textures for this one. Michaela Coel and Anne Hathaway command an intense reunion between two creative beings, and the audience feels the hurt with every barb. This might not be everyone’s cup of tea, but I was mesmerized.

Sharks are present, so you know Chloe is in for this one! Against my prediction, Renny Harlin seems to be apologizing for his dull and listless Strangers trilogy because Deep Water kind of rocks! A really well executed and dynamic plane crash leads to the survivors being picked off one by one by sharks in the open ocean. Plus, Aaron Eckhart is there to anchor everything down and, after all these years, I still choose to believe in Harvey Dent!

Then there’s the Vancouver Critics’ Circle award-winning documentary Modern Whore, Andrea Werhun’s honest, vibrant and, at many times, funny film representation of her book that she wrote with director Nicole Bazuin. Brimming with personality, this was an easy win with me and one that I feel has importance beyond its runtime.

On streaming, I checked out Stranger Things: Tales From ’85, which expands the world of Hawkins, or at least the space between seasons two and three. Using the scrapped animation from a cancelled Telltale videogame, I’m really liking what I’m seeing so far.

I also checked out Man on Fire, the new Netflix limited series—not the Denzel Washington film, but it did make me really nostalgic for that badass film. Yahya Abdul Mateen II steps into the role of the one-man army that is John Creasey and does a pretty solid job in a seven-episode series that may just turn into a multi-season affair, but no spoilers here. That also depends on if people actually watch it!

This week’s pickups were quality over quantity but the intrigue is all there.

First up is Triumph of the Spirit, a World War II set boxing film that has the angelic looking Willem Dafoe of the year 1989 and Edward James Olmos, so say we all. The film ended up garnering controversy as it was shot at the actual Auschwitz death camps. I’ve heard a lot about this one so it was an easy choice.

Then there’s Sleepers 4K, an absolute gift of a relese for the good people at Warner Bros. Home Entertainment. This Barry Levinson adaptation was really important to me at the time of it’s release as I was a big fan of the book. That cast is also filled with instant movie gold and I’m interested in how it’s aged in the decades past.

Coming up next week:

The Devil Wears Prada 2
Hokum
Omaha
Swapped

…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – Apr 24

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April 24, 2026

This week’s episode mixes sharp indie character work, a disappointing monster reboot, physical media pickups, and Chloe taking over with a stacked Butting In lineup.

From Chandler Levack’s excellent Mile End Kicks to a rough new take on The Mummy, plus Chloe diving into Project Hail Mary, The Faculty, and more, this is one of those episodes that swings from festival-film discovery to pure genre comfort food.

🎬 Fresh For Your Eyeballs

First up is Mile End Kicks, Chandler Levack’s new film and one I’d been waiting on for a long time. After loving I Like Movies, I was really excited for this one, and it absolutely delivers. Barbie Ferreira plays a 24-year-old music critic who gets pulled into the messy orbit of an indie band she’s covering, and the whole thing feels like a deeply personal, almost autobiographical character piece from Levack herself.

What works best is the writing—Levack has this incredibly natural conversational style—and Ferreira is fantastic here. It’s about being young enough to think you know everything and then getting hit hard by reality the second you leave your comfort zone. It’s smart, funny, and one of those films I really wish more people were talking about.

Then there’s The Mummy, and unfortunately this one just didn’t work for me. Lee Cronin’s attempt at a terrifying new mummy film had promise, especially with the horror pedigree behind it, but it never really lands. There are some strong ideas here—including finally casting Egyptian actors in key roles—but the film itself just isn’t very good. I honestly think Cronin should’ve fought harder against some of the choices made here.

💿 On The Blu / New To The Library

This week’s pickups were stacked.

I added Abbott Elementary Season 4, which I’m still catching up on and loving more as I go. It scratches that Modern Family / The Middle network-comedy itch perfectly, and Quinta Brunson continues to be hilarious.

I also grabbed Over the Garden Wall, Cartoon Network’s first miniseries, with a fantastic voice cast including Elijah Wood, Melanie Lynskey, and Christopher Lloyd. It feels like one of those animated gems I absolutely needed in the collection.

Then there’s A Lot Like Love, which was an easy upgrade from DVD for me because Amanda Peet being the romantic lead is basically enough to get me to buy a movie.

And yes, I’m still on my mission to own everything Hanna-Barbera, so I added The New Fred and Barney Show too. Completionist brain wins again.

🎙️ Butting In (Chloe’s Segment)

Chloe’s segment this week is loaded.

She starts with Project Hail Mary, aka “the Ryan Gosling butt,” and dives into the big sci-fi adaptation everyone’s talking about. Then she checks out a smaller horror title with a basement pit from hell and some genuinely creepy ideas, even if it gets messy by the end.

She also watched Albert Nobbs, pulled in entirely by YouTube Shorts and the promise of Glenn Close in period-drama mode. Chloe loved the setting and the upper-class drama, though the ending left her feeling a little underwhelmed despite how well the film handles its themes.

And finally, she watched The Faculty, somehow for the first time. Thankfully, it absolutely worked. Robert Rodriguez’s high-school body-snatchers thriller still holds up, and Chloe loved the cast, the late-90s Dimension chaos, and discovering baby Josh Hartnett in full terrible-haircut mode.

🔮 A Taste of Next Week

Coming up next week:

Michael
Fuse
Mother Mary
Erupcja
Apex
Orangutan
Sound of Falling
Stranger Things: Tales of ’85
Man on Fire

…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – Apr 17

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April 17, 2026

This week on What The Hell Should I Watch?, I’m diving into one of the biggest surprise horror discoveries of the year (and it’s CANADIAN!), a bold new swing from Julia Ducournau, sharp indie comedy gems, hurricane sharks on Netflix, and a quick check-in with Invincible Season 4.

🎬 Fresh For Your Eyeballs

First up is Hunting Matthew Nichols, the local BC docu-horror mystery that completely blindsided me. What starts like a true-crime missing-persons documentary slowly mutates into a found footage nightmare, with a deeply satisfying ending and one of the strongest third-act pivots I’ve seen this year. This could absolutely become a slow-burn horror hit of 2026.

Then there’s Alpha, Julia Ducournau’s follow-up to Titane, which leans into her most dramatic and allegorical filmmaking yet. It’s bold, unsettling, and another reminder that she remains one of the most fearless voices working today.

I also check out Fantasy Life, a charming New York indie rom-com with Amanda Peet and Matthew Scheer, plus For Worse, Amy Landecker’s funny and painfully honest wedding comedy-drama about divorce, sobriety, and bad decisions. Both are strong under-the-radar discoveries.

📺 The Streaming Pile

On Netflix, Thrash gives Tommy Wirkola the keys to a flooded city, hungry sharks, and total B-movie nonsense. It’s goofy, under 90 minutes, and exactly the kind of mindless disaster horror time-waster that works on a Friday night.

I also briefly check in on Invincible Season 4, which feels like everything has been building toward the massive Mark / Omni-Man reunion and the looming Viltrumite war. Even a couple episodes in, it already feels huge.

🔮 A Taste of Next Week

Coming up next week:

Mile End Kicks
Lee Cronin’s The Mummy
Normal
The Christophers
Lorne
Roommates
Balls Up
The Boys: Season 5
Mike & Nick & Nick & Alice
Pretty Lethal

New episodes drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – Apr 10

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April 10, 2026

This week’s episode is packed with franchise spectacle, one of the smartest films of the year, Japanese horror slow-burn tension, and a pair of very mixed Disney+ additions.

From Illumination’s latest Nintendo cash machine to a mind-bending Zendaya / Robert Pattinson dark satire, plus Chloe weighing in on Edgar Wright’s The Running Man, this is one of those episodes that covers the full spectrum of what makes movies fun to talk about.

🎬 Fresh For Your Eyeballs

First up is The Super Mario Galaxy Movie, and this one really left me cold. The animation is gorgeous, the character designs are perfect, and the Nintendo references come at you like a speedrun — but that’s also the problem. It feels less like a real movie and more like a loose excuse to dump characters and cameos on screen.

The big takeaway from my review is simple: this is money over substance. It’s bigger, louder, and more focused on expanding Nintendo’s cinematic universe than telling a story with real stakes. The Star Fox cameo is fun, Glen Powell’s voice work is a cool surprise, and the Daisy tease will thrill fans, but none of it adds up to anything meaningful.

Then there’s The Drama, which turned out to be one of the smartest and most fascinating films I’ve seen this year. What starts as a wedding-week relationship story starring Zendaya and Robert Pattinson slowly mutates into a sharp, satirical psychological spiral built around a devastating confession game.

The way it explores youthful mistakes, unforgivable actions, and moral fallout is riveting. Kristoffer Borgli’s direction is bold, but what really knocked me out was the editing, which might honestly be my favorite of the year so far.

Also in theaters, Chloe and I both review Exit 8, Neon’s adaptation of the 2023 anomaly horror game. It absolutely nails the feeling of being trapped in an endlessly repeating subway space, forcing both the audience and the lead character to scan every frame for what’s wrong.

Its slow-burn tension, unsettling anomalies, and emotional third act make it far more affecting than a simple game adaptation. Horror fans should absolutely seek this one out.

📺 The Streaming Pile

On streaming, I checked out Malcolm in the Middle: Life’s Still Unfair, and unfortunately this legacy reboot just didn’t do much for me. Even at only four episodes, it never found a compelling enough reason to exist beyond the reunion itself.

Much stronger is Star Wars: Maul – Shadow Lord, which might be one of the best things Lucasfilm animation has done since The Bad Batch. Dave Filoni leans fully into Maul as an antihero caught between the Empire, the Force, and his own ambitions to rebuild power.

The action absolutely rips, Sam Witwer remains perfect in the role, and Wagner Moura adds a fantastic new presence to the galaxy.

🎙️ Butting In

Chloe has a fantastic Butting In lineup this week.

First up is Edgar Wright’s The Running Man, and Chloe actually prefers it to the original thanks to the larger societal worldbuilding, Glen Powell’s charisma, Josh Brolin’s villain turn, and Wright’s kinetic style.

Then she dives into Marrowbone, the gothic thriller starring George MacKay, Anya Taylor-Joy, Charlie Heaton, and Mia Goth, which becomes a devastating exploration of grief and trauma.

And finally there’s Marie Antoinette, where Chloe loved the decadent production design but had major issues with Sofia Coppola’s softer portrayal of the historical figure.

🔮 A Taste of Next Week

Coming up next week:

Hunting Matthew Nichols
Thrash
Outcome
The Boys: Season 5
Alpha
Fantasy Life
For Worse
Mike & Nick & Nick & Alice
Pretty Lethal

…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – Apr 3

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April 3, 2026

This week on What The Hell Should I Watch? I’m finally back after the COVID break, and honestly, this might have been one of the strongest lineups of the year so far.

I’m talking about what I’m already calling the first true masterpiece of 2026, a killer sequel from Radio Silence, hand-drawn French animation, a very cool physical media addition, and a stacked look at what’s hitting streaming.

🎬 Fresh For Your Eyeballs

First up is Project Hail Mary, the long-awaited adaptation of Andy Weir’s novel starring Ryan Gosling. Ryland Grace wakes up alone on a spaceship with no memory, only to slowly uncover a mission to save Earth itself. This one absolutely floored me. It’s visually stunning, deeply emotional, and instantly feels like it belongs in the all-time great space movie conversation. Rocky, the alien teased in the trailers, completely steals the film. As far as I’m concerned, this is the first masterpiece of 2026.

Then there’s Ready or Not 2: Here I Come, with Radio Silence returning for another blood-soaked genre ride. The team pivots what was originally an entirely different sister-focused horror concept into a sequel, and it sounds like they found some wild new ways to raise the stakes. The Buffy nods through Kathryn Newton’s wardrobe and Sarah Michelle Gellar’s presence make this one catnip for genre fans.

I also check out A Magnificent Life, Sylvain Chomet’s hand-drawn look at the life of Marcel Pagnol. I appreciated the craftsmanship, especially the crisp hand-drawn cel animation, even if it didn’t hit me as hard as The Triplets of Belleville. It’s grounded, spiritual, and very much its own thing.

💿 On The Blu / New To The Library

This week’s pickups are stacked.

First is Killers of the Flower Moon on Criterion 4K, which remains one of my favorite films of its year and absolutely deserves the definitive edition treatment.

Then there’s Scott Pilgrim Takes Off, which I loved as a faithful animated redux of Brian Lee O’Malley’s books, especially with the original cast returning.

And I added Resident Alien: Complete Series, because Alan Tudyk remains one of the most underrated comedic actors working today.

📺 The Streaming Pile

On the streaming side, I dive into Daredevil: Born Again Season 2, and this show is only getting stronger as it expands beyond Matt Murdock and Wilson Fisk into the wider Defenders world. Bullseye, Mayor Fisk, and the return of Jessica Jones are all huge wins.

I also check out Something Very Bad Is Going to Happen, a gothic wedding-set horror mystery from the producers behind Stranger Things. Ominous title, ominous vibe, and exactly the kind of weird slow-burn setup that works for me.

🔮 A Taste of Next Week

Coming up next week, I’m looking at:

The Super Mario Galaxy Movie
Exit 8
Alpha
Fantasy Life
For Worse
The Drama
Pretty Lethal

…and more.

New episodes of What The Hell Should I Watch? drop every Friday.

What The Hell Should I Watch – Mar 20

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March 20, 2026

This week on What The Hell Should I Watch? I run through a mix of new releases, including a sound-driven horror, a sun-soaked mystery, and a World War II set rescue thriller from China— plus a unique horror on Blu-ray and a pirate revenge story on streaming.

🎬 Fresh For Your Eyeballs

First up is Undertone, a Canadian supernatural horror about a podcast host caring for her dying mother while recording about the disturbing audio recordings their show received, tied to a possible haunting. It’s a slow-burn that leans heavily on sound and trying to see what’s in the dark corner.

Then there’s Islands, a moody, sun-drenched mystery set at a tropical resort, where a washed-up tennis coach becomes entangled in a disappearance that quickly turns him into the prime suspect.

Finally, I check out Rescue at Donji, a historical war film based on a true story, where Chinese fishermen risk their lives to rescue hundreds of British prisoners of war after a Japanese transport ship is sunk during World War II. It’s a Chinese epic blockbuster built around survival, sacrifice, and human courage under extreme conditions.

💿 On The Blu

This week on Blu-ray is Good Boy, a haunted house story told entirely from a dog’s perspective. Shot largely at ground level with minimal dialogue (if any), it leans on behaviour, sound, and atmosphere to create something surprisingly effective and eerie.

📺 The Streaming Pile

I also check out The Bluff, starring Priyanka Chopra as a former pirate forced back into a violent past when an old enemy resurfaces, played by a very game Karl Urban. It’s a revenge-driven survival story with a pulpy, swashbuckling edge and cool weaponry.

📀 New To The Library

This week I added:

Jack & Sarah (Richard E. Grant, baby)

Cobra Kai – Complete Series

The Closer – Complete Series

📺 Butting In (Chloe)

Chloe returns with Butting In.

First up is Louis Theroux’s Inside the Manosphere, a deep dive into online masculinity culture and the communities built around it. Chloe definitely has her thoughts on this one!

She also visits Clue for the first time, the cult classic whodunit packed with rapid-fire jokes and multiple endings. The movie education expands!

🔮 A Taste of Next Week

Here’s what I’m looking at next week:

Project Hail Mary

Ready or Not 2: Here I Come

A Magnificent Life

Daredevil: Born Again

New episodes of What The Hell Should I Watch? drop every week.