Steve Stebbing

What The Hell Should I Watch – May 15

stevestebbing

May 15, 2026

Chloe is back in the co-pilot seat this week as I don’t have to go it alone and we’ve got a myriad of fun things to talk about this week including a R-rated video game secret, a shepherd’s flock becoming the English countryside’s greatest detectives and an on stage experience of one of the biggest concert experiences from one of the most gifted young songwriters in the modern age. Yeah, we’re hitting it big this week.

We kick everything off with a visit to the Mailbag, which has one of my proudest moments in a message we received from an actual filmmaker that Chloe talked about on a recent episode. I also shed some light on the struggles of a small theatre that has been nestled in Oliver, British Columbia, for over seventy-five years.

The first little bit of freshness for those eyesies is Mortal Kombat II, the middle installment of a projected three-film reboot of the famed one-on-one tournament video game series, and, yes, this is the actual tournament now! After debuting the first film during the pandemic era of releasing, Karl Urban joins the crew as the iconic Johnny Cage, taken straight from a comic con to the other-dimensional realm of Outworld. Does it up the ante from the first movie and make audiences salivate for more? Or, does it FINISH us?

Next is the wholesome murder mystery of The Sheep Detectives, and, yes, you read that correctly, I put wholesome and murder in the same sentence. Illumination go-to director Kyle Balda makes his live-action debut with a big group of animated sheep to create this sweet-hearted family film that is brimming with laughs, great dialogue and some serious intrigue. The film has been described as Knives Out crossed with Babe, and it is an aesthetic that you didn’t know you needed in your life!

Finishing out the batch is the visual 3D experience that is Billie Eilish’s Hit Me Hard And Soft tour, and you know she means business because she got the “King Of The World” James Cameron to help her deliver this incredible concert film to her adoring fans. As a fan of Billie, both as an artist and a person, this movie was a necessity to see, but does that have the same effect on a casual fan, a hater or someone completely unfamiliar with her work? I break it down, plus we get into a discussion on some of her controversial statements recently.

On Blu-Ray this week, Chloe and I are finally able to discuss the lo-fi sci-fi fantasy OBEX, which we took in at the Vancouver International Film Festival back in October last year. Oddly sentimental and a driven dog lover story, we both absolutely adored this Zelda meets Eraserhead odyssey through classic fantasy gaming and yearn to recommend it to people, but, as Chloe points out, who exactly is that? Yes, this one is for the niche community, but it doesn’t make it any less great.

Also, just recently ending its first season run on HBO, Task is now available to pick up on Blu-ray, and those who loved the Kate Winslet series Mare Of Easttown better perk up their ears because this is what you’re getting instead of a season two. Led by a seasoned and weathered Mark “Scruffalo”, this cops versus robbers drama forges forward with characters that feel textured and tangible, all the way down to the antagonist’s incredibly likable leader, played by Tom Pelphrey. If you like a good, gritty crime drama, this might be the one that slipped under the radar.

Chloe makes her presence felt, giving her thoughts on the new Handmaid’s Tale spin-off, The Testaments. Starring One Battle After Another’s Chase Infiniti, the series picks up where the original Elisabeth Moss show left off and, while the internet does its thing to try to hobble this show in its debut season, Chloe is adamant that all the pieces are in place to make a fantastic series. With a ten episode run already in the books for the show, this might be another hit for Hulu/Disney.

Finally, I got to add a little drama to my collection this week that definitely plays better for the older audience, Midwinter Break, but it was also one that didn’t jive with critics that much. That said, the film features two stalwart veteran actors in Lesley Manville and Ciaran Hinds, to presences that made this one a must-see for me but an eventual one because I didn’t want to drive across the Okanagan to see it in theatres. Not with these gas prices!

Coming up next week:

Obsession
Hamlet
Is God Is
In The Grey
Marty, Life Is Short
The Punisher: One Last Kill
…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – May 8

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May 8, 2026

This week on the show, I go solo again while Chloe deals with her immunity that rivals that of Jake Gyllenhaal in Bubble Boy! On the slate for review is a sequel that was considered “never happening” for a long time, an Irish countryside horror that might be the first TRUE scare of 2026, another faith based feature film that I watched to see if they changed their storytelling goals, a couple streaming movies that have been teased for weeks and more!

First up is The Devil Wears Prada 2, the return to the offices of Runway magazine for a reunion between cutesy journalist Andy Sachs and the boss of all bosses, Miranda Priestly. With our big four, Streep, Hathaway, Blunt and Tucci, all returning to their iconic roles for another jaunt with the same creative team leading, does this return after twenty years justify itself? I will tell you now, Tucci is, AGAIN, an MVP!

Next is Hokum, the third film from writer and director Damian McCarthy, who has already creeped us out on Shudder with Caveat and Oddity. Now, for his first big screen release, he puts Adam Scott through the ringer at an old Irish inn that may or may not have a witch trapped in their famed honeymoon suite. Is it true or a bunch of, ahem, HOKUM?

On the physical disc this week, Lionsgate and the Kingdom Story Company really want the word out on their music driven sequel, I Can Only Imagine 2. The big question is, have they adjusted the narrative from giving out a pamphlet on Christian faith to a compelling story and character given drama? I wouldn’t hold my breath on that, sadly!

On Disney+ for a few weeks now, writer and director BenDavid Grabinski flexes his film nerd with a mobster action film that features an unconventional time travel aspect to it. Is Vince Vaughn great in it? Is James Marsden great in it? Is Eiza Gonzalez great in it? Is Vince Vaughn great in it? The answer is yes but there might be upstaging thanks to a hilarious Jimmy Tatro. Also, this film features two phenomenal needle drops and a lengthy debate on Rory Gilmore’s choices in men!

Finally, pivoting over to Prime Video, I get to get some thoughts out about the new ballerina versus russian gangsters action flick, Pretty Deadly. The film features all the bombastic fight style of David Leitch’s 47 North productions but are all the other pieces in place to make this a fully rounded kick ass experience? Besides Uma Thurman having some villainous fun, I’m skeptical about this finished product.

New To My Library this week, I dig into a couple animated complete series, one a reboot of an 80s classic and one for both kids and their stoner parents, a true crime limited series starring an unrecognizable Renee Zellweger and a lo-fi rave culture film from the year 2000 (sing that part) that Sony has upgraded to 4K.

Coming up next week:

Mortal Kombat II
The Sheep Detectives
Billie Eilish: Hit Me Hard & Soft The Tour – Live In 3D
Peter Hujar’s Day
Remarkably Bright Creatures
…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – May 1

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May 1, 2026

This week’s episode is a weird mix of a glossy, revisionist biopic, a real time thriller that everyone’s dad will love, Anne Hathaway literally becoming Mother (for better or worse), a plane crash disaster flick with the added spice of frenzied sharks, an intriguing and personality filled look into the escort industry and a couple of very welcome library additions, one featuring a young Willem Dafoe.

From the long-awaited King Of Pop biopic to shark-infested plane-crash chaos, A24 weirdness, and a brand-new Netflix rework of a great Tony Scott movie into a series, this is one of those episodes that rattles around a plethora of genres, some better than others.

First up is Michael, the long-awaited Michael Jackson biopic that arrives with all the weight and controversy you’d expect. Not in the movie, of course! That would be acknowledging it! Although it is doing well at the box office, Michael goes the glossy revisionist route in a decision that took me out of the film more and more. My catharisis IS this episode, trust me!

Then there’s Fuze, a tense thriller that works best when it leans into pressure-cooker suspense and lets the characters spiral under the weight of everything that can go wrong in a split second, whether you’re mere feet away from an unexploded World War II missile, in the command center overseeing everything or, maybe, robbing a nearby bank in the silence of an evacuated London. It’s that bead of sweat caused by tension that hangs off the end of your nose and won’t drop.

I also checked out Mother Mary, which brings David Lowery into his wheelhouse of contentment, and he brings out ALL the colors and textures for this one. Michaela Coel and Anne Hathaway command an intense reunion between two creative beings, and the audience feels the hurt with every barb. This might not be everyone’s cup of tea, but I was mesmerized.

Sharks are present, so you know Chloe is in for this one! Against my prediction, Renny Harlin seems to be apologizing for his dull and listless Strangers trilogy because Deep Water kind of rocks! A really well executed and dynamic plane crash leads to the survivors being picked off one by one by sharks in the open ocean. Plus, Aaron Eckhart is there to anchor everything down and, after all these years, I still choose to believe in Harvey Dent!

Then there’s the Vancouver Critics’ Circle award-winning documentary Modern Whore, Andrea Werhun’s honest, vibrant and, at many times, funny film representation of her book that she wrote with director Nicole Bazuin. Brimming with personality, this was an easy win with me and one that I feel has importance beyond its runtime.

On streaming, I checked out Stranger Things: Tales From ’85, which expands the world of Hawkins, or at least the space between seasons two and three. Using the scrapped animation from a cancelled Telltale videogame, I’m really liking what I’m seeing so far.

I also checked out Man on Fire, the new Netflix limited series—not the Denzel Washington film, but it did make me really nostalgic for that badass film. Yahya Abdul Mateen II steps into the role of the one-man army that is John Creasey and does a pretty solid job in a seven-episode series that may just turn into a multi-season affair, but no spoilers here. That also depends on if people actually watch it!

This week’s pickups were quality over quantity but the intrigue is all there.

First up is Triumph of the Spirit, a World War II set boxing film that has the angelic looking Willem Dafoe of the year 1989 and Edward James Olmos, so say we all. The film ended up garnering controversy as it was shot at the actual Auschwitz death camps. I’ve heard a lot about this one so it was an easy choice.

Then there’s Sleepers 4K, an absolute gift of a relese for the good people at Warner Bros. Home Entertainment. This Barry Levinson adaptation was really important to me at the time of it’s release as I was a big fan of the book. That cast is also filled with instant movie gold and I’m interested in how it’s aged in the decades past.

Coming up next week:

The Devil Wears Prada 2
Hokum
Omaha
Swapped

…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – Apr 24

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April 24, 2026

This week’s episode mixes sharp indie character work, a disappointing monster reboot, physical media pickups, and Chloe taking over with a stacked Butting In lineup.

From Chandler Levack’s excellent Mile End Kicks to a rough new take on The Mummy, plus Chloe diving into Project Hail Mary, The Faculty, and more, this is one of those episodes that swings from festival-film discovery to pure genre comfort food.

🎬 Fresh For Your Eyeballs

First up is Mile End Kicks, Chandler Levack’s new film and one I’d been waiting on for a long time. After loving I Like Movies, I was really excited for this one, and it absolutely delivers. Barbie Ferreira plays a 24-year-old music critic who gets pulled into the messy orbit of an indie band she’s covering, and the whole thing feels like a deeply personal, almost autobiographical character piece from Levack herself.

What works best is the writing—Levack has this incredibly natural conversational style—and Ferreira is fantastic here. It’s about being young enough to think you know everything and then getting hit hard by reality the second you leave your comfort zone. It’s smart, funny, and one of those films I really wish more people were talking about.

Then there’s The Mummy, and unfortunately this one just didn’t work for me. Lee Cronin’s attempt at a terrifying new mummy film had promise, especially with the horror pedigree behind it, but it never really lands. There are some strong ideas here—including finally casting Egyptian actors in key roles—but the film itself just isn’t very good. I honestly think Cronin should’ve fought harder against some of the choices made here.

💿 On The Blu / New To The Library

This week’s pickups were stacked.

I added Abbott Elementary Season 4, which I’m still catching up on and loving more as I go. It scratches that Modern Family / The Middle network-comedy itch perfectly, and Quinta Brunson continues to be hilarious.

I also grabbed Over the Garden Wall, Cartoon Network’s first miniseries, with a fantastic voice cast including Elijah Wood, Melanie Lynskey, and Christopher Lloyd. It feels like one of those animated gems I absolutely needed in the collection.

Then there’s A Lot Like Love, which was an easy upgrade from DVD for me because Amanda Peet being the romantic lead is basically enough to get me to buy a movie.

And yes, I’m still on my mission to own everything Hanna-Barbera, so I added The New Fred and Barney Show too. Completionist brain wins again.

🎙️ Butting In (Chloe’s Segment)

Chloe’s segment this week is loaded.

She starts with Project Hail Mary, aka “the Ryan Gosling butt,” and dives into the big sci-fi adaptation everyone’s talking about. Then she checks out a smaller horror title with a basement pit from hell and some genuinely creepy ideas, even if it gets messy by the end.

She also watched Albert Nobbs, pulled in entirely by YouTube Shorts and the promise of Glenn Close in period-drama mode. Chloe loved the setting and the upper-class drama, though the ending left her feeling a little underwhelmed despite how well the film handles its themes.

And finally, she watched The Faculty, somehow for the first time. Thankfully, it absolutely worked. Robert Rodriguez’s high-school body-snatchers thriller still holds up, and Chloe loved the cast, the late-90s Dimension chaos, and discovering baby Josh Hartnett in full terrible-haircut mode.

🔮 A Taste of Next Week

Coming up next week:

Michael
Fuse
Mother Mary
Erupcja
Apex
Orangutan
Sound of Falling
Stranger Things: Tales of ’85
Man on Fire

…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – Apr 17

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April 17, 2026

This week on What The Hell Should I Watch?, I’m diving into one of the biggest surprise horror discoveries of the year (and it’s CANADIAN!), a bold new swing from Julia Ducournau, sharp indie comedy gems, hurricane sharks on Netflix, and a quick check-in with Invincible Season 4.

🎬 Fresh For Your Eyeballs

First up is Hunting Matthew Nichols, the local BC docu-horror mystery that completely blindsided me. What starts like a true-crime missing-persons documentary slowly mutates into a found footage nightmare, with a deeply satisfying ending and one of the strongest third-act pivots I’ve seen this year. This could absolutely become a slow-burn horror hit of 2026.

Then there’s Alpha, Julia Ducournau’s follow-up to Titane, which leans into her most dramatic and allegorical filmmaking yet. It’s bold, unsettling, and another reminder that she remains one of the most fearless voices working today.

I also check out Fantasy Life, a charming New York indie rom-com with Amanda Peet and Matthew Scheer, plus For Worse, Amy Landecker’s funny and painfully honest wedding comedy-drama about divorce, sobriety, and bad decisions. Both are strong under-the-radar discoveries.

📺 The Streaming Pile

On Netflix, Thrash gives Tommy Wirkola the keys to a flooded city, hungry sharks, and total B-movie nonsense. It’s goofy, under 90 minutes, and exactly the kind of mindless disaster horror time-waster that works on a Friday night.

I also briefly check in on Invincible Season 4, which feels like everything has been building toward the massive Mark / Omni-Man reunion and the looming Viltrumite war. Even a couple episodes in, it already feels huge.

🔮 A Taste of Next Week

Coming up next week:

Mile End Kicks
Lee Cronin’s The Mummy
Normal
The Christophers
Lorne
Roommates
Balls Up
The Boys: Season 5
Mike & Nick & Nick & Alice
Pretty Lethal

New episodes drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – Apr 10

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April 10, 2026

This week’s episode is packed with franchise spectacle, one of the smartest films of the year, Japanese horror slow-burn tension, and a pair of very mixed Disney+ additions.

From Illumination’s latest Nintendo cash machine to a mind-bending Zendaya / Robert Pattinson dark satire, plus Chloe weighing in on Edgar Wright’s The Running Man, this is one of those episodes that covers the full spectrum of what makes movies fun to talk about.

🎬 Fresh For Your Eyeballs

First up is The Super Mario Galaxy Movie, and this one really left me cold. The animation is gorgeous, the character designs are perfect, and the Nintendo references come at you like a speedrun — but that’s also the problem. It feels less like a real movie and more like a loose excuse to dump characters and cameos on screen.

The big takeaway from my review is simple: this is money over substance. It’s bigger, louder, and more focused on expanding Nintendo’s cinematic universe than telling a story with real stakes. The Star Fox cameo is fun, Glen Powell’s voice work is a cool surprise, and the Daisy tease will thrill fans, but none of it adds up to anything meaningful.

Then there’s The Drama, which turned out to be one of the smartest and most fascinating films I’ve seen this year. What starts as a wedding-week relationship story starring Zendaya and Robert Pattinson slowly mutates into a sharp, satirical psychological spiral built around a devastating confession game.

The way it explores youthful mistakes, unforgivable actions, and moral fallout is riveting. Kristoffer Borgli’s direction is bold, but what really knocked me out was the editing, which might honestly be my favorite of the year so far.

Also in theaters, Chloe and I both review Exit 8, Neon’s adaptation of the 2023 anomaly horror game. It absolutely nails the feeling of being trapped in an endlessly repeating subway space, forcing both the audience and the lead character to scan every frame for what’s wrong.

Its slow-burn tension, unsettling anomalies, and emotional third act make it far more affecting than a simple game adaptation. Horror fans should absolutely seek this one out.

📺 The Streaming Pile

On streaming, I checked out Malcolm in the Middle: Life’s Still Unfair, and unfortunately this legacy reboot just didn’t do much for me. Even at only four episodes, it never found a compelling enough reason to exist beyond the reunion itself.

Much stronger is Star Wars: Maul – Shadow Lord, which might be one of the best things Lucasfilm animation has done since The Bad Batch. Dave Filoni leans fully into Maul as an antihero caught between the Empire, the Force, and his own ambitions to rebuild power.

The action absolutely rips, Sam Witwer remains perfect in the role, and Wagner Moura adds a fantastic new presence to the galaxy.

🎙️ Butting In

Chloe has a fantastic Butting In lineup this week.

First up is Edgar Wright’s The Running Man, and Chloe actually prefers it to the original thanks to the larger societal worldbuilding, Glen Powell’s charisma, Josh Brolin’s villain turn, and Wright’s kinetic style.

Then she dives into Marrowbone, the gothic thriller starring George MacKay, Anya Taylor-Joy, Charlie Heaton, and Mia Goth, which becomes a devastating exploration of grief and trauma.

And finally there’s Marie Antoinette, where Chloe loved the decadent production design but had major issues with Sofia Coppola’s softer portrayal of the historical figure.

🔮 A Taste of Next Week

Coming up next week:

Hunting Matthew Nichols
Thrash
Outcome
The Boys: Season 5
Alpha
Fantasy Life
For Worse
Mike & Nick & Nick & Alice
Pretty Lethal

…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – Apr 3

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April 3, 2026

This week on What The Hell Should I Watch? I’m finally back after the COVID break, and honestly, this might have been one of the strongest lineups of the year so far.

I’m talking about what I’m already calling the first true masterpiece of 2026, a killer sequel from Radio Silence, hand-drawn French animation, a very cool physical media addition, and a stacked look at what’s hitting streaming.

🎬 Fresh For Your Eyeballs

First up is Project Hail Mary, the long-awaited adaptation of Andy Weir’s novel starring Ryan Gosling. Ryland Grace wakes up alone on a spaceship with no memory, only to slowly uncover a mission to save Earth itself. This one absolutely floored me. It’s visually stunning, deeply emotional, and instantly feels like it belongs in the all-time great space movie conversation. Rocky, the alien teased in the trailers, completely steals the film. As far as I’m concerned, this is the first masterpiece of 2026.

Then there’s Ready or Not 2: Here I Come, with Radio Silence returning for another blood-soaked genre ride. The team pivots what was originally an entirely different sister-focused horror concept into a sequel, and it sounds like they found some wild new ways to raise the stakes. The Buffy nods through Kathryn Newton’s wardrobe and Sarah Michelle Gellar’s presence make this one catnip for genre fans.

I also check out A Magnificent Life, Sylvain Chomet’s hand-drawn look at the life of Marcel Pagnol. I appreciated the craftsmanship, especially the crisp hand-drawn cel animation, even if it didn’t hit me as hard as The Triplets of Belleville. It’s grounded, spiritual, and very much its own thing.

💿 On The Blu / New To The Library

This week’s pickups are stacked.

First is Killers of the Flower Moon on Criterion 4K, which remains one of my favorite films of its year and absolutely deserves the definitive edition treatment.

Then there’s Scott Pilgrim Takes Off, which I loved as a faithful animated redux of Brian Lee O’Malley’s books, especially with the original cast returning.

And I added Resident Alien: Complete Series, because Alan Tudyk remains one of the most underrated comedic actors working today.

📺 The Streaming Pile

On the streaming side, I dive into Daredevil: Born Again Season 2, and this show is only getting stronger as it expands beyond Matt Murdock and Wilson Fisk into the wider Defenders world. Bullseye, Mayor Fisk, and the return of Jessica Jones are all huge wins.

I also check out Something Very Bad Is Going to Happen, a gothic wedding-set horror mystery from the producers behind Stranger Things. Ominous title, ominous vibe, and exactly the kind of weird slow-burn setup that works for me.

🔮 A Taste of Next Week

Coming up next week, I’m looking at:

The Super Mario Galaxy Movie
Exit 8
Alpha
Fantasy Life
For Worse
The Drama
Pretty Lethal

…and more.

New episodes of What The Hell Should I Watch? drop every Friday.

What The Hell Should I Watch – Mar 20

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March 20, 2026

This week on What The Hell Should I Watch? I run through a mix of new releases, including a sound-driven horror, a sun-soaked mystery, and a World War II set rescue thriller from China— plus a unique horror on Blu-ray and a pirate revenge story on streaming.

🎬 Fresh For Your Eyeballs

First up is Undertone, a Canadian supernatural horror about a podcast host caring for her dying mother while recording about the disturbing audio recordings their show received, tied to a possible haunting. It’s a slow-burn that leans heavily on sound and trying to see what’s in the dark corner.

Then there’s Islands, a moody, sun-drenched mystery set at a tropical resort, where a washed-up tennis coach becomes entangled in a disappearance that quickly turns him into the prime suspect.

Finally, I check out Rescue at Donji, a historical war film based on a true story, where Chinese fishermen risk their lives to rescue hundreds of British prisoners of war after a Japanese transport ship is sunk during World War II. It’s a Chinese epic blockbuster built around survival, sacrifice, and human courage under extreme conditions.

💿 On The Blu

This week on Blu-ray is Good Boy, a haunted house story told entirely from a dog’s perspective. Shot largely at ground level with minimal dialogue (if any), it leans on behaviour, sound, and atmosphere to create something surprisingly effective and eerie.

📺 The Streaming Pile

I also check out The Bluff, starring Priyanka Chopra as a former pirate forced back into a violent past when an old enemy resurfaces, played by a very game Karl Urban. It’s a revenge-driven survival story with a pulpy, swashbuckling edge and cool weaponry.

📀 New To The Library

This week I added:

Jack & Sarah (Richard E. Grant, baby)

Cobra Kai – Complete Series

The Closer – Complete Series

📺 Butting In (Chloe)

Chloe returns with Butting In.

First up is Louis Theroux’s Inside the Manosphere, a deep dive into online masculinity culture and the communities built around it. Chloe definitely has her thoughts on this one!

She also visits Clue for the first time, the cult classic whodunit packed with rapid-fire jokes and multiple endings. The movie education expands!

🔮 A Taste of Next Week

Here’s what I’m looking at next week:

Project Hail Mary

Ready or Not 2: Here I Come

A Magnificent Life

Daredevil: Born Again

New episodes of What The Hell Should I Watch? drop every week.

What The Hell Should I Watch – Mar 13

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March 13, 2026

This week on What The Hell Should I Watch? I run through a stacked group of new releases including Pixar’s latest animated adventure, Maggie Gyllenhaal’s take on a classic monster, a dark Canadian story about fandom and obsession, and an award-winning drama set in Iraq during the Saddam Hussein era.

I also check out a new sci-fi action movie on streaming, while Chloe jumps in with another Butting In segment featuring a hockey remake, indie horror, and one truly spectacular rant.

Fresh For Your Eyeballs

First up is Hoppers, Pixar’s upcoming sci-fi adventure about technology that allows humans to transfer their consciousness into robotic animals so they can explore and study wildlife.

Next is The Bride!, Maggie Gyllenhaal’s reimagining of the Bride of Frankenstein story, set in 1930s Chicago and starring Jessie Buckley.

Then there’s Protector, starring Milla Jovovich as a former soldier forced back into violence after her daughter is kidnapped by a trafficking ring. It sets itself up as a gritty revenge thriller, but unfortunately this one really didn’t work for me.

After that I check out Sweetness, a dark Canadian story about a teenage fan who becomes dangerously obsessed with helping — and eventually controlling — her troubled rock-star idol after discovering his addiction.

Finally there’s The President’s Cake, set during the Saddam Hussein era. The film follows a young girl tasked with baking a birthday cake for the president during a time of sanctions and food shortages, turning a simple school assignment into a risky journey.

Streaming Pile

This week I watched War Machine, starring Alan Ritchson and Dennis Quaid. The film follows a group of elite military recruits whose training exercise turns into a fight for survival when they encounter a deadly extraterrestrial machine.

Butting In

Chloe returns with another Butting In segment.

First up is Youngblood, a modern remake of the classic hockey story about a young player trying to prove himself in the brutal world of junior hockey.

Next is Anacoreta, an indie horror built around a film-within-a-film setup where a group heads to a remote location to shoot a horror project — only for things to begin unraveling.

And finally Chloe dives into NFT: Cursed Images, about a group of friends who buy into a supposedly cursed NFT collection only to discover the digital monsters tied to those NFTs begin appearing in the real world. Let’s just say Chloe really did not enjoy this one, and the rant that follows is one of the highlights of the episode.

New episodes of What The Hell Should I Watch? drop every week.

What The Hell Should I Watch – Mar 6

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March 6, 2026

This week on What The Hell Should I Watch? I fly solo and tackle a mixed bag of new releases — including the return of one of horror’s most famous franchises, an intense erotic drama of class systems, a hockey remake that Chloe and I first saw at VIFF, and a sharp thriller about obsession and proximity to fame.

I also added a classic and influential stand-up film to my physical media collection and preview what I’m hoping to watch next week.

Fresh For Your Eyeballs

First up is Scream 7, the latest entry in the long-running franchise. After years of twists, creative shakeups, and controversy behind the scenes, Ghostface returns once again. This time the story centers on Sidney Prescott as her quiet new life is disrupted when a new killer emerges — and her daughter becomes the next target. I definitely have a lot of vitriol to get out about this one and have my regrets in NOT boycotting.

Next is Dreams, a tense erotic drama from director Michel Franco. The film follows a powerful American socialite and an undocumented Mexican ballet dancer whose affair spirals into something far more dangerous. Starring Jessica Chastain and Isaac Hernández, it’s a film about power, class, desire, and manipulation — and it’s definitely one that shows off that slow burn style that Franco is known for.

Then I revisit a film Chloe and I caught at the Vancouver International Film Festival: Youngblood, out this week in theaters. This reimagining of the classic hockey drama follows a talented young player trying to prove himself after joining a tough team in Hamilton. It hits a lot of familiar sports-movie beats, but there’s still plenty to talk about when it comes to how this version handles the material and what it chooses to ignore.

Finally, I look at Lurker, a tense and unsettling story about fame and proximity to it. The film follows a retail worker who manages to worm his way into the inner circle of an up-and-coming musician. As access grows, so does the danger. It’s a sharp little thriller about obsession, jealousy, and the strange dynamics that surround celebrity culture, very fitting for our current social media and celebrity crossover.

New To The Library

This week I added Richard Pryor: Here and Now to my collection, now on 4K. It joins Live on the Sunset Strip on my shelf, and it’s notable because Pryor actually directed this one himself — making it his theatrical directing debut. It’s always great seeing classic stand-up performances get proper restorations.

A Taste of Next Week

Here’s what I’m hoping to dig into next week:

Hoppers

The Bride!

Protector

War Machine

…and possibly a few other surprises depending on what lands on my screen.

New episodes of What The Hell Should I Watch? drop every week.