Steve Stebbing

What The Hell Should I Watch – Apr 10

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April 10, 2026

This week’s episode is packed with franchise spectacle, one of the smartest films of the year, Japanese horror slow-burn tension, and a pair of very mixed Disney+ additions.

From Illumination’s latest Nintendo cash machine to a mind-bending Zendaya / Robert Pattinson dark satire, plus Chloe weighing in on Edgar Wright’s The Running Man, this is one of those episodes that covers the full spectrum of what makes movies fun to talk about.

🎬 Fresh For Your Eyeballs

First up is The Super Mario Galaxy Movie, and this one really left me cold. The animation is gorgeous, the character designs are perfect, and the Nintendo references come at you like a speedrun — but that’s also the problem. It feels less like a real movie and more like a loose excuse to dump characters and cameos on screen.

The big takeaway from my review is simple: this is money over substance. It’s bigger, louder, and more focused on expanding Nintendo’s cinematic universe than telling a story with real stakes. The Star Fox cameo is fun, Glen Powell’s voice work is a cool surprise, and the Daisy tease will thrill fans, but none of it adds up to anything meaningful.

Then there’s The Drama, which turned out to be one of the smartest and most fascinating films I’ve seen this year. What starts as a wedding-week relationship story starring Zendaya and Robert Pattinson slowly mutates into a sharp, satirical psychological spiral built around a devastating confession game.

The way it explores youthful mistakes, unforgivable actions, and moral fallout is riveting. Kristoffer Borgli’s direction is bold, but what really knocked me out was the editing, which might honestly be my favorite of the year so far.

Also in theaters, Chloe and I both review Exit 8, Neon’s adaptation of the 2023 anomaly horror game. It absolutely nails the feeling of being trapped in an endlessly repeating subway space, forcing both the audience and the lead character to scan every frame for what’s wrong.

Its slow-burn tension, unsettling anomalies, and emotional third act make it far more affecting than a simple game adaptation. Horror fans should absolutely seek this one out.

📺 The Streaming Pile

On streaming, I checked out Malcolm in the Middle: Life’s Still Unfair, and unfortunately this legacy reboot just didn’t do much for me. Even at only four episodes, it never found a compelling enough reason to exist beyond the reunion itself.

Much stronger is Star Wars: Maul – Shadow Lord, which might be one of the best things Lucasfilm animation has done since The Bad Batch. Dave Filoni leans fully into Maul as an antihero caught between the Empire, the Force, and his own ambitions to rebuild power.

The action absolutely rips, Sam Witwer remains perfect in the role, and Wagner Moura adds a fantastic new presence to the galaxy.

🎙️ Butting In

Chloe has a fantastic Butting In lineup this week.

First up is Edgar Wright’s The Running Man, and Chloe actually prefers it to the original thanks to the larger societal worldbuilding, Glen Powell’s charisma, Josh Brolin’s villain turn, and Wright’s kinetic style.

Then she dives into Marrowbone, the gothic thriller starring George MacKay, Anya Taylor-Joy, Charlie Heaton, and Mia Goth, which becomes a devastating exploration of grief and trauma.

And finally there’s Marie Antoinette, where Chloe loved the decadent production design but had major issues with Sofia Coppola’s softer portrayal of the historical figure.

🔮 A Taste of Next Week

Coming up next week:

Hunting Matthew Nichols
Thrash
Outcome
The Boys: Season 5
Alpha
Fantasy Life
For Worse
Mike & Nick & Nick & Alice
Pretty Lethal

…and more.

New episodes of What The Hell Should I Watch? drop every Friday at 9 a.m. Pacific.

What The Hell Should I Watch – Apr 3

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April 3, 2026

This week on What The Hell Should I Watch? I’m finally back after the COVID break, and honestly, this might have been one of the strongest lineups of the year so far.

I’m talking about what I’m already calling the first true masterpiece of 2026, a killer sequel from Radio Silence, hand-drawn French animation, a very cool physical media addition, and a stacked look at what’s hitting streaming.

🎬 Fresh For Your Eyeballs

First up is Project Hail Mary, the long-awaited adaptation of Andy Weir’s novel starring Ryan Gosling. Ryland Grace wakes up alone on a spaceship with no memory, only to slowly uncover a mission to save Earth itself. This one absolutely floored me. It’s visually stunning, deeply emotional, and instantly feels like it belongs in the all-time great space movie conversation. Rocky, the alien teased in the trailers, completely steals the film. As far as I’m concerned, this is the first masterpiece of 2026.

Then there’s Ready or Not 2: Here I Come, with Radio Silence returning for another blood-soaked genre ride. The team pivots what was originally an entirely different sister-focused horror concept into a sequel, and it sounds like they found some wild new ways to raise the stakes. The Buffy nods through Kathryn Newton’s wardrobe and Sarah Michelle Gellar’s presence make this one catnip for genre fans.

I also check out A Magnificent Life, Sylvain Chomet’s hand-drawn look at the life of Marcel Pagnol. I appreciated the craftsmanship, especially the crisp hand-drawn cel animation, even if it didn’t hit me as hard as The Triplets of Belleville. It’s grounded, spiritual, and very much its own thing.

💿 On The Blu / New To The Library

This week’s pickups are stacked.

First is Killers of the Flower Moon on Criterion 4K, which remains one of my favorite films of its year and absolutely deserves the definitive edition treatment.

Then there’s Scott Pilgrim Takes Off, which I loved as a faithful animated redux of Brian Lee O’Malley’s books, especially with the original cast returning.

And I added Resident Alien: Complete Series, because Alan Tudyk remains one of the most underrated comedic actors working today.

📺 The Streaming Pile

On the streaming side, I dive into Daredevil: Born Again Season 2, and this show is only getting stronger as it expands beyond Matt Murdock and Wilson Fisk into the wider Defenders world. Bullseye, Mayor Fisk, and the return of Jessica Jones are all huge wins.

I also check out Something Very Bad Is Going to Happen, a gothic wedding-set horror mystery from the producers behind Stranger Things. Ominous title, ominous vibe, and exactly the kind of weird slow-burn setup that works for me.

🔮 A Taste of Next Week

Coming up next week, I’m looking at:

The Super Mario Galaxy Movie
Exit 8
Alpha
Fantasy Life
For Worse
The Drama
Pretty Lethal

…and more.

New episodes of What The Hell Should I Watch? drop every Friday.

What The Hell Should I Watch – Mar 20

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March 20, 2026

This week on What The Hell Should I Watch? I run through a mix of new releases, including a sound-driven horror, a sun-soaked mystery, and a World War II set rescue thriller from China— plus a unique horror on Blu-ray and a pirate revenge story on streaming.

🎬 Fresh For Your Eyeballs

First up is Undertone, a Canadian supernatural horror about a podcast host caring for her dying mother while recording about the disturbing audio recordings their show received, tied to a possible haunting. It’s a slow-burn that leans heavily on sound and trying to see what’s in the dark corner.

Then there’s Islands, a moody, sun-drenched mystery set at a tropical resort, where a washed-up tennis coach becomes entangled in a disappearance that quickly turns him into the prime suspect.

Finally, I check out Rescue at Donji, a historical war film based on a true story, where Chinese fishermen risk their lives to rescue hundreds of British prisoners of war after a Japanese transport ship is sunk during World War II. It’s a Chinese epic blockbuster built around survival, sacrifice, and human courage under extreme conditions.

💿 On The Blu

This week on Blu-ray is Good Boy, a haunted house story told entirely from a dog’s perspective. Shot largely at ground level with minimal dialogue (if any), it leans on behaviour, sound, and atmosphere to create something surprisingly effective and eerie.

📺 The Streaming Pile

I also check out The Bluff, starring Priyanka Chopra as a former pirate forced back into a violent past when an old enemy resurfaces, played by a very game Karl Urban. It’s a revenge-driven survival story with a pulpy, swashbuckling edge and cool weaponry.

📀 New To The Library

This week I added:

Jack & Sarah (Richard E. Grant, baby)

Cobra Kai – Complete Series

The Closer – Complete Series

📺 Butting In (Chloe)

Chloe returns with Butting In.

First up is Louis Theroux’s Inside the Manosphere, a deep dive into online masculinity culture and the communities built around it. Chloe definitely has her thoughts on this one!

She also visits Clue for the first time, the cult classic whodunit packed with rapid-fire jokes and multiple endings. The movie education expands!

🔮 A Taste of Next Week

Here’s what I’m looking at next week:

Project Hail Mary

Ready or Not 2: Here I Come

A Magnificent Life

Daredevil: Born Again

New episodes of What The Hell Should I Watch? drop every week.

What The Hell Should I Watch – Mar 13

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March 13, 2026

This week on What The Hell Should I Watch? I run through a stacked group of new releases including Pixar’s latest animated adventure, Maggie Gyllenhaal’s take on a classic monster, a dark Canadian story about fandom and obsession, and an award-winning drama set in Iraq during the Saddam Hussein era.

I also check out a new sci-fi action movie on streaming, while Chloe jumps in with another Butting In segment featuring a hockey remake, indie horror, and one truly spectacular rant.

Fresh For Your Eyeballs

First up is Hoppers, Pixar’s upcoming sci-fi adventure about technology that allows humans to transfer their consciousness into robotic animals so they can explore and study wildlife.

Next is The Bride!, Maggie Gyllenhaal’s reimagining of the Bride of Frankenstein story, set in 1930s Chicago and starring Jessie Buckley.

Then there’s Protector, starring Milla Jovovich as a former soldier forced back into violence after her daughter is kidnapped by a trafficking ring. It sets itself up as a gritty revenge thriller, but unfortunately this one really didn’t work for me.

After that I check out Sweetness, a dark Canadian story about a teenage fan who becomes dangerously obsessed with helping — and eventually controlling — her troubled rock-star idol after discovering his addiction.

Finally there’s The President’s Cake, set during the Saddam Hussein era. The film follows a young girl tasked with baking a birthday cake for the president during a time of sanctions and food shortages, turning a simple school assignment into a risky journey.

Streaming Pile

This week I watched War Machine, starring Alan Ritchson and Dennis Quaid. The film follows a group of elite military recruits whose training exercise turns into a fight for survival when they encounter a deadly extraterrestrial machine.

Butting In

Chloe returns with another Butting In segment.

First up is Youngblood, a modern remake of the classic hockey story about a young player trying to prove himself in the brutal world of junior hockey.

Next is Anacoreta, an indie horror built around a film-within-a-film setup where a group heads to a remote location to shoot a horror project — only for things to begin unraveling.

And finally Chloe dives into NFT: Cursed Images, about a group of friends who buy into a supposedly cursed NFT collection only to discover the digital monsters tied to those NFTs begin appearing in the real world. Let’s just say Chloe really did not enjoy this one, and the rant that follows is one of the highlights of the episode.

New episodes of What The Hell Should I Watch? drop every week.

What The Hell Should I Watch – Mar 6

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March 6, 2026

This week on What The Hell Should I Watch? I fly solo and tackle a mixed bag of new releases — including the return of one of horror’s most famous franchises, an intense erotic drama of class systems, a hockey remake that Chloe and I first saw at VIFF, and a sharp thriller about obsession and proximity to fame.

I also added a classic and influential stand-up film to my physical media collection and preview what I’m hoping to watch next week.

Fresh For Your Eyeballs

First up is Scream 7, the latest entry in the long-running franchise. After years of twists, creative shakeups, and controversy behind the scenes, Ghostface returns once again. This time the story centers on Sidney Prescott as her quiet new life is disrupted when a new killer emerges — and her daughter becomes the next target. I definitely have a lot of vitriol to get out about this one and have my regrets in NOT boycotting.

Next is Dreams, a tense erotic drama from director Michel Franco. The film follows a powerful American socialite and an undocumented Mexican ballet dancer whose affair spirals into something far more dangerous. Starring Jessica Chastain and Isaac Hernández, it’s a film about power, class, desire, and manipulation — and it’s definitely one that shows off that slow burn style that Franco is known for.

Then I revisit a film Chloe and I caught at the Vancouver International Film Festival: Youngblood, out this week in theaters. This reimagining of the classic hockey drama follows a talented young player trying to prove himself after joining a tough team in Hamilton. It hits a lot of familiar sports-movie beats, but there’s still plenty to talk about when it comes to how this version handles the material and what it chooses to ignore.

Finally, I look at Lurker, a tense and unsettling story about fame and proximity to it. The film follows a retail worker who manages to worm his way into the inner circle of an up-and-coming musician. As access grows, so does the danger. It’s a sharp little thriller about obsession, jealousy, and the strange dynamics that surround celebrity culture, very fitting for our current social media and celebrity crossover.

New To The Library

This week I added Richard Pryor: Here and Now to my collection, now on 4K. It joins Live on the Sunset Strip on my shelf, and it’s notable because Pryor actually directed this one himself — making it his theatrical directing debut. It’s always great seeing classic stand-up performances get proper restorations.

A Taste of Next Week

Here’s what I’m hoping to dig into next week:

Hoppers

The Bride!

Protector

War Machine

…and possibly a few other surprises depending on what lands on my screen.

New episodes of What The Hell Should I Watch? drop every week.

What The Hell Should I Watch? – Feb 27

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February 27, 2026

This week on What The Hell Should I Watch?, I dig into a wide-ranging lineup that includes international cinema, a big survival sequel, and one of the most powerful political films of the year. From desert wanderers and prison-release tension to climate catastrophe and the European refugee crisis, this episode covers some heavy territory — plus Chloe jumps in with her own viewing in Butting In.

Fresh For Your Eyeballs

I start with Sirāt, a haunting and meditative film from director Óliver Laxe. It follows a father searching for his missing daughter across the Moroccan desert while traveling with a group of ravers as global conflict hums in the background. It’s slow, atmospheric, and built more on mood than plot.

Next up is In Cold Light, a tightly wound Canadian thriller starring Maika Monroe and Troy Kotsur. Told almost in real time, it follows a woman newly released from prison who becomes trapped in a violent situation. It’s stripped down, tense, and powered by its performances.

Then I get into Greenland 2: Migration, which brings Gerard Butler and Morena Baccarin back as a family forced out of their bunker and into a shattered world. The sequel leans more into survival drama and emotional stakes than pure spectacle.

I wrap up the main reviews with Green Border, one of the most important and difficult films of 2023. Shot in stark black and white, it follows refugees trying to cross from Belarus into Poland. It’s raw, confronting, and impossible to ignore.

New to the Library

This week’s library pick is The Dark Half, George A. Romero’s strange and pulpy adaptation of the Stephen King novel about a writer stalked by his own fictional creation.

Butting In (with Chloe)

Chloe jumps in this week with a mix of discomfort, reflection, and animated chaos.She starts with Primate, which hit her especially hard because she already finds monkeys deeply unsettling. The film’s eerie tone and creeping tension made it extra creepy for her, turning it into more of an endurance watch than casual sci-fi.

Next, she revisits The Truman Show, a movie that somehow feels more prophetic every year. What once played as clever satire now lands as a warning about surveillance, performance, and living inside someone else’s idea of reality.

She closes out with the season premiere of American Dad!, which provides much-needed comic relief after two heavier picks. It’s loud, ridiculous, and still surprisingly sharp.

A Taste of Next Week

Coming up on the next episode, I’ll be reviewing:

Scream 7
Dreams
Man on the Run
Rescue at Donji
Lurker
Pillion

Chloe Stebbing X Fan Expo Vancouver 2026

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February 21, 2026

In this special episode, I step away from our usual movie reviews to give you a quick look at my day at Fan Expo Vancouver 2026.

I hadn’t been to Fan Expo since 2012, when I was a kid, so this was my first time returning in over a decade — and a lot has changed. From digital badge check-ins and massive crowds to celebrity guests and endless vendor booths, this was a full-on convention experience.

I talk about:

What it’s like getting into Fan Expo in 2026

How packed the show floor became by mid-afternoon

Why filming was harder than expected once the crowds and noise kicked in

The celebrity guests I saw, including Elijah Wood and Sean Astin

The realities of autograph and photo prices

The surprisingly limited (and expensive) food options

I also show what we picked up along the way, including:

The Vorpal Blade from Alice: Return to Madness

A Fallout Nuka-Cola Girl tin poster

A very unlucky medieval scroll gamble that resulted in… a wooden bracelet

Even though I didn’t get as much footage as I hoped, I wanted this video to capture the energy of the convention and what it feels like to be back at Fan Expo after so many years away.

Next year, we’re planning to return with more money, more time, and maybe even cosplay.

Thanks for coming along with me for this quick recap of Fan Expo Vancouver 2026. I’ll see you in the next regular episode of What the Hell Should I Watch?.

What The Hell Should I Watch – Feb 20

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February 20, 2026

This week on What The Hell Should I Watch?, I’m back with Chloe for another packed episode covering brand-new theatrical releases, deep-cut discoveries, and one of the best Canadian films of the year.

We kick things off with Fresh For Your Eyeballs, starting with Emerald Fennell’s bold and provocative adaptation of Wuthering Heights, starring Margot Robbie and Jacob Elordi. I dig into why this film feels like instant cult cinema — from its VistaVision cinematography to its surprising use of Charli XCX songs — and why it’s clearly not trying to be a faithful literary adaptation.

Next up, we talk about the slick crime thriller Crime 101, featuring Chris Hemsworth, Mark Ruffalo, Halle Berry, and Barry Keoghan. It’s a rare modern thief movie that actually works, even if it’s a little disposable after the credits roll.

Then we break down the dark comedy How to Make a Killing, starring Glen Powell, Margaret Qualley, Jessica Henwick, Topher Grace, and Ed Harris. I talk about why it’s entertaining but slightly restrained compared to director John Patton Ford’s earlier work (Emily the Criminal), and how Glen Powell carries much of the movie on pure charisma.

📀 New to the Library

This week I added several classics and curiosities to my collection, including:

The complete series of Lucifer on Blu-ray
John Milius’ 1973 gangster film Dillinger
Warner Bros. 4K releases of Ben-Hur and All the President’s Men

We also revive Movie Journeys with a revisit to the classic Bond film From Russia with Love, starring Sean Connery. I explain why this might actually be peak Connery Bond and share some behind-the-scenes trivia about Robert Shaw and Ian Fleming.

🇨🇦 Nirvanna The Band The Show The Movie

Chloe gets to give her thoughts on one of our favorite films of the year: Nirvanna The Band The Show The Movie by Matt Johnson and Jay McCarrol.

We talk about:

Why it feels like a love letter to Toronto
How flawlessly the time-travel back to 2008 is executed
The genius of its joke setups and callbacks
Why this film made Chloe fall in love with the duo instantly

It’s hilarious, heartfelt, and one of the smartest comedies Canada has produced in years.

🎞️ Also Discussed This Episode

Chloe’s surprisingly positive take on Greenland 2
A quick celebration of American Dad returning to Fox
New 4K releases including Predator: Badlands and Five Nights at Freddy’s 2

🎥 Coming Next Week
I preview upcoming films including:

Psycho Killer
Midwinter Break
Sirat
Pillion

If you love movies, deep dives, behind-the-scenes trivia, and honest reviews — this is the podcast for you.

What The Hell Should I Watch – Feb 13

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February 13, 2026

This week’s episode of What the Hell Should I Watch? almost didn’t happen thanks to a technical meltdown, so what you’re getting is a leaner, faster, slightly feral edition of the show — but there were still way too many movies to ignore.

We’ve got the return of Gore Verbinski after an eight-year break, one of the best Canadian movies I’ve seen in years, and a horror lineup that completely fell apart.

Here’s what I watched this week.

—

Fresh For Your Eyeballs

Good Luck, Have Fun, Don’t Die (dir. Gore Verbinski)

Gore Verbinski finally returns to filmmaking after A Cure for Wellness, teaming up with Sam Rockwell for a strange, time-looping sci-fi comedy about ordinary people tasked with stopping an AI apocalypse. Set largely inside a diner, the film plays like a series of interconnected vignettes with Haley Lu Richardson and Juno Temple adding heart and chaos. It’s weird, ambitious, and surprisingly charming.

Nirvanna the Band the Show the Movie

This is a love letter to Toronto and one of the most purely Canadian movies I’ve seen in years. Matt Johnson and Jay McCarroll turn their cult series into a feature that somehow mixes time travel, the CN Tower, and a lifelong dream of playing the Rivoli. Chloe and I caught this at the Rio and the crowd energy made it unforgettable. It’s chaotic, funny, and deeply rooted in Toronto culture. I also sat down with Matt and Jay for a 12-minute interview you’ll see later this week.

Cold Storage

A gooey, splattery horror comedy starring Joe Keery, Georgina Campbell, and Liam Neeson. Written by David Koepp (Jurassic Park), this one leans hard into creature effects and gross-out moments. It’s never elevated horror, but it delivers enough B-movie fun for genre fans.

—

Horror Takes a Nosedive

The Strangers: Chapter 2 & Chapter 3

Renny Harlin’s reboot trilogy continues to unravel. Chapter 2 is dull and oddly bloodless, while Chapter 3 somehow manages to be even more pointless. Neither film brings tension or invention to the franchise, and both feel like empty exercises in IP maintenance.

Dracula (dir. Luc Besson)

Luc Besson attempts to reframe Dracula as a tragic romantic hero and instead delivers a confused, derivative mess. Caleb Landry Jones never feels right for the role, Christoph Waltz looks bored, and the entire film feels like a lesser, hollow echo of Coppola’s version — with none of the passion or style.

—

New to the Library

This week’s additions to my physical media shelf:

Dark Blue (Blu-ray upgrade)

Blue Moon – Ethan Hawke as Lorenz Hart, which Chloe and I saw at VIFF

The Thing With Feathers – Benedict Cumberbatch in a surreal grief drama

300: Rise of an Empire (3D) – the Zack Snyder sequel he didn’t direct

Orwell: 2 + 2 = 5 – Raoul Peck documentary

—

Next Week on the Show

Coming up:

Wuthering Heights (Emerald Fennell, Margot Robbie, Jacob Elordi)

Crime 101 (Chris Hemsworth, Halle Berry, Barry Keoghan, Mark Ruffalo)

Possibly: How to Make a Killing

Hopefully: Sirat and Pillion

Chloe plans to bring Greenland 2: Migration

—

This was a short but packed episode — with a big win for Canadian cinema, a welcome return from Gore Verbinski, and a reminder that not every Dracula or Strangers reboot needs to exist.

New episodes of What the Hell Should I Watch? drop every Friday at 9am Pacific on

What The Hell Should I Watch – Feb 6

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February 6, 2026

Welcome back to What the Hell Should I Watch?, where I sort through the week’s new releases, streaming titles, and TV so you don’t have to gamble your time on trailers and algorithms.

This week’s episode is packed with genre chaos — horror experiments, action throwbacks, and the long-awaited return of one of Marvel’s best series. I get into what works, what doesn’t, and what’s actually worth your attention right now.

🎬 Fresh For Your Eyeballs

I kick things off with a slate of new theatrical releases that swing big, sometimes wildly — and this week Chloe joins me on a couple of them:

Send Help – Sam Raimi returns to horror-comedy with Rachel McAdams and Dylan O’Brien in a survival thriller that leans into slapstick, tension, and Raimi’s signature chaos. Chloe and I talk about the physical comedy, the brutal set pieces, and why this might be one of the most fun surprises of the season.
Shelter – Jason Statham steps back into lone-wolf protector mode in a straight-ahead action thriller that feels familiar but still delivers on mood and momentum. I get into why this works even when it sticks close to formula.
Iron Lung – Markiplier makes his feature debut with an ambitious cosmic horror film set inside a submarine traveling through a blood ocean. I dig into the massive practical effects, the extreme commitment to atmosphere, and why this has become one of the most interesting horror stories of the year.
Whistle – A cursed Aztec death whistle triggers a wave of Final Destination-style doom. Chloe and I break down the creative kills and why the story and characters struggle to keep up with the concept.

📀 New To The Library

This week’s physical media additions go deep into film history:

A Prophet (2009) – Jacques Audiard’s modern crime classic finally joins the shelf, and I talk about why it still hits as one of the most powerful prison films ever made.
House on Haunted Hill (1959) – William Castle and Vincent Price come back into the conversation, but this one’s a revisit after we already dug into it on Tremble, episode 345, making it more of a shelf upgrade than a fresh discovery.

📺 Streaming Picks

On the streaming side, I catch up with:

The Wrecking Crew (Prime Video) – Jason Momoa and Dave Bautista team up in a throwback action comedy that leans hard into movie-star energy and brawling fun.
The Wheel of Time (Prime Video) – I finally check in on Amazon’s fantasy series and talk about Rosamund Pike, the darker tone, and how the show has evolved.
Harley Quinn (Netflix) – Season 5 takes the gang to Metropolis and somehow gets even sharper, funnier, and more emotionally grounded.

🦸 Final Thoughts

I wrap things up with Daredevil: Born Again (Disney+), the long-awaited return of Marvel’s grittiest hero. I break down why the revival works, how it honors the original series, and why the collision between Matt Murdock and Wilson Fisk still packs a punch.

If you’re trying to figure out what’s actually worth watching in theatres, on streaming, or on your own shelves, this episode is about separating curiosity from commitment and helping you make smarter choices with your time.

👉 New episodes drop every Friday at 9am Pacific