Steve Stebbing

Breaking down all things pop culture

Super Troopers 2 – Seventeen years after making a huge comedy splash with a film about the hijinks of a squad of highway patrolman, Broken Lizard are back with a kickstarted sequel, picking up where they left off. Think of all the quotable lines from that first film and how fondly it’s reminisced about. How can you live up to that hype? The pressure for Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter and Erik Stolhanske must have been immense but, you know what? They pulled it off. No, it’s not quite as “lightening in the bottle” as the first one but if you have a love for these characters like I do, you will just purely enjoy the film of the level of having a reunion with good pals. Is it cheesy? Yes. Is it also hilarious? You’re damn right it is and it opens with a scene I couldn’t believe was happening. Do yourself a favor, comedy fans, and go check it out.

Pain & Gain – What the hell are you doing, Steve? A Michael Bay film of your High Spots list? Bear with me here because I will explain myself. No, I don’t consider Michael Bay to be a good filmmaker at all. He is baffled by how humans interact, he is trigger happy, explosion heavy and can’t keep the camera stationary for a goddamn second. All of that aside, five years ago this week he directed this film about a trio of muscle bound meathead gym rats who decided to make a quick buck by kidnapping a wealth client and the movie is wildly entertaining. Led by Mark Wahlberg, Anthony Mackie and The Rock, this film is all about the characters and the height situations they get into as their stupidity escalates everything but, really, the former WWE superstar takes the cake as the must watch in this one. This and Southland Tales are when I started to really believe in him as an actor.

Better Luck Tomorrow – Long before Justin Lin was known as the Fast And Furious go to guy, he made a little indie film financed with credit cards and with money raised independently by him and his other producers. The film almost collapsed completely until M.C. Hammer of all people kicked in the money to finish it off, then going on to be the first independent film to be picked up by MTV Films for distribution. The story follows a group of book smart Asian-American friends who, out of pure boredom, try out a life of excess and, more importantly, hardcore drug dealing! The movie was my introduction to Lin and his style, followed up by the immensely great Finishing The Game, but also actors Parry Shen, Roger Fan and Sung Kang, who’s character Han actually crossed over into the Fast And Furious series. A discovery from my video store employee days, if you haven’t seen this one then you need to right now. It’ll give you a new appreciation for this filmmaker fifteen years after he made his first mark.

Whenever I’m racking my brain for a film to talk about on these pieces I usually hit up a website to see what movies were released on this day five, ten, fifteen or more years ago and sometimes I get really giddy when I see certain titles. Today’s film is one of those, and one I feel is entirely underrated, Joseph Kosinski’s Oblivion which is five years old this week. Made for about $160 million the full total on its gross was a bit over $262 million, something that isn’t any sort of indicator on its cinematic worth. This movie is gorgeous, intriguingly written and features a great performance from Mr. Scientology himself, Tom Cruise.

You may know Kosinski’s name from the brilliant sequel slash reboot Tron: Legacy, a film that made us nerdy fans take note of his name and patiently await what was next. Oblivion is directly adapted from his own unpublished graphic novel about a man that is basically a caretaker for the earth sixty years after a war with aliens force mankind to abandon the planet for a new home near Saturn. If you haven’t seen the film yet, I will stop my synopsis there and get back to my geek out over this movie because it’s immense. Kosinski’s reverence for sci-fi bleeds into every frame of this film with Kubrick’s 2001: A Space Odyssey being a big inspiration but other classics like Aliens and Blade Runner play their own influencer roles in this vision as well.

With the visual style being so dazzling and enthralling, under the eye of Kosinski’s regular cinematographer Claudio Miranda, you need a soundtrack to go along with it and Joseph Kosinski kept true to having French electro pop stars scoring his films. For Tron: Legacy he recruited Daft Punk who’s contribution is one of the pieces that makes that movie so incredible so the fact that M83’s Anthony Gonzalez adds a special atmosphere to Oblivion should be no shock and the song that closes the film featuring Suzanne Sundfor is one that is still currently in my constant rotation.

All in all, after many time watching it, Oblivion continues to be one of my favorite modern sci-fi films, along with Moon and Sunshine, and makes it into my “if you haven’t seen it, watch it immediately” pile of movies. I saw this Blu-Ray at Walmart the other day for $6.99 and I had so many conflicted emotions. On one hand, it feels like a travesty for this movie to hit bargain blow out pricing, which makes me sad, but on the other hand, this is a price that EVERYONE can surely afford and it gets the movie into people’s players that much quicker then I am supremely happy with that outcome.

1. Uninspired horror – Does it feel like good horror is a dime a dozen? With John Krasinski’s A Quiet Place currently killing it at the box office and with critics it feels like a good time to address all the cheap pandering films in this genre that don’t make the cut of even being a passably scary movie. Just look at Blumhouse’s latest one Truth Or Dare, a story that takes its inspiration from a handful of more successful movies to forge in glued together identity. Oh, a guy lured everyone to a place to get an unseen evil’s focus off of him and on to someone else? Seems like you lifted the beginning of It Follows a little. I feel like I’m being a little focused on this one movie, so let me bring up another one from last year, Happy Death Day. The movie basically rolls Mean Girls into a Groundhog Day style plot but fails to make any sort of original stride with this premise. My overarching complaint is that mainstream horror has been resting on its laurels for too long and we need better original horror. Especially Blumhouse. This is what you were made for!

2. The diminishing role of critics – This may be slightly self-indulgent of me to rant about this but it is becoming increasingly difficult to get the coverage on films like we used to in this industry. Now, for me to bring this up publicly is a bit premature as I have only been involved in an official capacity for around three years but those who have been doing this longer have voiced this concern as well and it really does seem that for a lot of us, the writing is on the wall. The position is frequently unpaid, we receive endless hate for our opinions and now the studios are actively restricting movies from us for review. Disney is the biggest culprit as Rogue One was the only new Star Wars film to get an advance screening and neither or the Episodes were shown. This has now stretched as far as the Marvel movies with Avengers: Infinity War being screening-less on the West Coast. Film appreciation in the media is nearing extinction and as a person who is passionate about it I feel the weight of my decision to get into this at the worst possible time.

3. The Gunman – Ever take a look at those Liam Neeson films like Taken, Unknown or Non-Stop and think “I wonder what Sean Penn would be like in that role?” Well, you are the only one and you’re weird but, that aside, it’s already been done in 2015 by, ironically enough, Pierre Morel, the man behind Taken. Well, the movie is new to Netflix this week and I know you’re asking what’s the problem? Is it Penn himself? No, not really. The big issue is the movie is boring as hell, predictable and not enough action bite to even warrant it to be considered part of the action genre. Fantastic character actors like Javier Bardem, Idris Elba and a pre-Oscar winning Mark Rylance star in the film but are so ineffectual and forgettable that they must have just come in, collected a paycheck and left. Again, just like most films in the last few years, I saw this one in theaters and still look for the day that I can get a full life refund from Morel and company, including Penn himself, who served as producer additionally. Make that cheque out to cash please!

1. Borg vs. McEnroe – How good could a movie about tennis be? A better question, is it better than Wimbledon? That last one is misleading because no film can unseat that Paul Bettany/Kirsten Dunst classic. I kid, I kid, this one is infinitely better and is completely devoid of an awkward romantic center. Instead we got the face-off between two of the greatest tennis players of all time, John McEnroe and Bjorn Borg, played by Shia LeBeouf and Sverrir Gudnason respectively. For the majority of the film, we get the back stories on both revered athletes peppered into their very different preparations for the biggest match of their career at Wimbledon. LeBeouf brilliantly captures McEnroe’s volatile nature in his strive for greatness without ever having met the real man in the process, much to the subject’s angry displeasure. Gudnason, on the other hand, plays to Borg’s quiet thoughtful side, a phenomenal talent that never wanted the crush of attention that his skills always garnered. We get a bit of insight into both of these unforgettable stars and it all comes together in a totally pace shifting third act, depicting the war these two battled on the court. Seriously, the movie is worth a watch just for that.

2. You Were Never Really Here – A couple years back, director Lynne Ramsey was all set to direct Natalie Portman in a western called Jane Got A Gun. Through unknown circumstances behind the scenes, a reported disagreement between Ramsay and the film’s producer and financier, and she no showed the first day before quitting entirely. Well, that film turned out to be a bit lackluster but luckily for the We Need To Talk About Kevin filmmaker, and more importantly us the viewers, she moved on to this thriller starring Joaquin Phoenix. He plays a disturbed Gulf war veteran who now lives with his mother, making his living tracking down missing teen girls. When one of his clients ends up involving him in a darker conspiracy, his reality starts to fracture and this movie starts to head down a rabbit hole of disturbing proportions. A lot of this film I felt a slight comparison to Taxi Driver with a side of Jacob’s Ladder PTSD but the one thing that was a constant was Joaquin’s performance which is damn riveting in its silence.

3. Monty Python – If I were ever to say that John Cleese, Eric Idle, Graham Chapman, Michael Palin, Terry Jones and Terry Gilliam didn’t have a formative effect on my idea of comedy then I would be an absolute liar because Monty Python was everything to me. It seems that the comedy gods were listening, or at least Chapman was, because Netflix orchestrated a deal to acquire the entire catalog of their work and it is now already here and we’re talking EVERYTHING. The series, the live specials, the movies and the documentaries. Now you can stop pantomiming your favorite bits to your friends or the uninitiated and actually show them the really product, streaming into your home at the click of a button. Trust me, your wife already appreciates you not John Cleese goose stepping everywhere and kicking over that lamp. Again.

Steve shares his new release movie recommendations with Drex across Canada on the Corus Radio Network . This week he’s reviewing Rampage, Truth or Dare, Borg Vs. McEnroe and more.

 

On this week’s spot Steve chats with Lynda about a Langley father’s beef with an inappropriate Amy Schumer film and one of the best filmmakers in the world is gearing up to make a documentary on one of the most influential comedy shows ever. Steve also gives his thoughts on the new Dwayne Johnson film Rampage and the HBO documentary Andre The Giant.

https://omny.fm/shows/steele-drex/at-the-box-office-with-steve-stebbing-17/embed

 

It’s only my second week of doing these throwback recommendations and I already kind of stumped myself. It’s not that I am at a loss for any titles to bring up, it really just comes down to relevancy. First in my mind, I wanted to talk about Rob Zombie’s House Of 1000 Corpses, which celebrates it fifteen year anniversary this week. Seeing as I brought Fede Alvarez’s remake of Evil Dead last week, doubling up on horror may be a little much but this film is an absolute iconic gory experience that showed Zombie’s love for everything monstrous and paved the way for his greatest onscreen masterpiece, The Devil’s Rejects. If you have never seen this one and have a penchant for something decidedly messed up and slightly derivative of Tobe Hooper’s Texas Chainsaw Massacre the “run, rabbit, run” to go find this one.

I digress. My point this week is to bring attention to two fantastic films from the last year or so that are now available anytime on Netflix. First up is the latest Yorgos Lanthimos film The Killing of a Sacred Deer, which was uploaded last week. If you have already checked out his last film The Lobster starring Colin Farrell then you are already aware of how much his films differ from everyone else’s. He has stilted dialogue, wooden feeling blocking and a penchant for making things unbelievably twisted in the blink of an eye and where The Lobster was a comedy, Killing is certainly not. The story is about an idyllic family man and open heart surgeon, again played by Farrell, who has a questionable and awkward friendship with the son of a former patient that get very sinister very quickly. This film will stick with you for a long time after the credits hit.

The second film is a bit more popular but always demanding another re-watch, Shane Black’s buddy comedy The Nice Guys. Ryan Gosling and Russell Crowe have such magic chemistry together, playing private investigators of varying degrees that have to team up to solve the murder of an adult film actress. Actors are only as good as their script and however great our two leads are in this film, Black screenplay elevates them even higher and when you add in young Australian actress Angourie Rice as Gosling’s whip smart daughter to the mix you have a movie filled with so much great dialogue that you will be laughing so hard that you may miss follow-up lines here and there. This is why it is so brilliant for Netflix to offer this title. They know just as well as I do that this one will get people over and over again.

Categories: #TBT

With all the movies out there, some of them surely have to be terrible. My job is to make sure you don’t waste any time on them so here are my dumpster fires this week:

1. Father Figures – I know I brought up this movie last week for my little rant about terrible photo shop but I have now gotten a look at what’s in the box and, folks, it’s not pretty. The film is centered around Ed Helms and Owen Wilson as two fraternal twin brothers who find out at their mother’s wedding that the man they believed to be their father was not, sending them on a road trip to track down the real one. The problem is that their mother, played by Glenn Close, was quite promiscuous at the time of their conception, making the search that much more difficult. If that lazy premise still has you intrigued, let me dispel that by informing you that the laziness doesn’t stop there. Wilson and Helms both rely on what their known for, the former’s “Oh Wow” bewilderment and the latter’s uptight nature, as well as constant “your mom’s a slut” jokes. Leave this one in the Walmart bargain bin, friends.

2. T.J. Miller – Is it even alright to say you enjoy this guy’s comedy anymore because it feels like he throwing every roadblock at us to be an absolute pariah. Now, I’ve been a fan of Miller for years. His stand-up comedy is hilarious, plus his memorable turns in Extract, She’s Out Of My League and Our Idiot Brother all made him someone to look forward to no matter how large or small his role was. It’s hard to believe when you look at him in Deadpool that he started as the cameraman Hud in Cloverfield and now I can’t even make any Erlich Bachman Silicon Valley jokes without thinking about his sexual harassment allegations, his general terrible attitude reported on the set of that aforementioned HBO series and this new bit of information about him calling in a fake bomb threat. Seriously, I should have completely wrote him off when he praised his film The Emoji Movie.

3. The I Feel Pretty trailer – Now, this one doesn’t actually apply to the film, as I haven’t seen it yet, but directly at the Cineplex theater chain as well as the film distributor, eOne. The story is that a father in Langley brought his 9-year-old daughter to a Saturday matinée of the wholesome sports film The Miracle Season, a G rated film in Canada. Prior to the film, a trailer for the new Amy Schumer movie ran, one that is rated PG-13 for sexual content, partial nudity and language. This also includes a wet t-shirt contest that appears in the trailer. Now, this certainly seems like a total mistake by a rushed studio trying to get eyes on their film. The trailer will be removed from any other screening of The Miracle Season but the method in which the outrage snowballs is due to the echo chamber that is the internet. This is a small snafu that could have been resolved quietly but instead it blew up big enough to be a feature story on news sites in the lower mainland. That’s kind of ridiculous. The only other real problem I have with this dad is that he also took some offense to a trailer for the new film On Chisel Beach, which has a far more progressive message but that’s a rant for another dumpster fire.