It’s that time of year again on The Night Shift with Shane Hewitt — welcome to the 5th Annual Stebbie Awards, my completely unofficial, deeply subjective, and wildly personal look back at the movies and performances that defined my year in film.
This isn’t about box office numbers, campaign buzz, or playing awards-season politics. The Stebbies exist to celebrate the films, performances, and creative swings that stuck with me — the ones I couldn’t shake, couldn’t stop thinking about, and couldn’t wait to talk about on the show.
From unforgettable lead performances and breakout turns, to my favourite genre entries, overlooked gems, and the films that absolutely wrecked me emotionally, the Stebbies are my chance to give credit where I think it’s due — whether the industry agrees or not.
As always, this is a solo ride, filled with passion, honesty, and a little bit of snark. Some picks will be obvious, some will be controversial, and a few might leave you wondering what the hell I was thinking — which, frankly, is the point.
Thanks for listening all year, for arguing with me online, and for sticking around through another season of What The Hell Should I Watch. Now let’s hand out some Stebbies.
Steve Stebbing 